Quincy Adams Sawyer and Mason's Corner Folks: A Picture of New England Home LifePidgin, Charles Felton
General
Quincy Adams Sawyer and Mason's Corner Folks: A Picture of New England Home Life
Pidgin, Charles Felton
New England -- Fiction
Out of compliment to their guests, the Deacon and his wife had gone back
to the days of their youth. Probably from some old chest in the garret
each had resurrected a costume of fifty years before. They advanced into
the room, smiling and bowing to the delighted spectators on either side.
They went directly to Abner, and the latter bent over to hear what the
Deacon whispered in his ear. The Deacon then went to Strout and
whispered something to him.
Strout nodded, and turning to the company said, "As it's now half past
'leven and most time for honest folks to be abed and rogues a runnin',
out of compliment to Miss Huldy's grandpa and grandma, who have honored
us with their presence this evenin', we will close these festivities
with a good old-fashioned heel and toe Virginia reel. Let 'er go, Abner,
and keep her up till all the fiddle strings are busted."
Like trained soldiers, they sprang to their places. Quincy and his
partner took places near the end of the line. He explained to her that
he had never danced a reel, but thought he could easily learn from
seeing the others, and he told her that when their turn came she need
not fear but that he would do his part.
The Deacon and his wife led off, and their performance caused great
enthusiasm. Sam Hill was not a good dancer, so he resigned Miss Tilly
James to Professor Strout. Miss James was a superb dancer, and as Quincy
looked at her his face showed his appreciation.
His partner saw the glance, and looking up to him said, "Don't you wish
you could dance as well as that?"
"I wish I could," said Quincy. "I have no doubt you can," he added,
looking at his partner's rosy face.
"Well," said she, "you do the best you can, and I'll do the same."
Professor Strout and Tilly did finely, and their performance gained them
an encore, which they granted. One by one the couples went under the
arch of extended arms, and one by one they showed their Terpsichorean
agility on the kitchen floor, over which Mandy Skinner had thoughtfully
sprinkled a handful of house sand.
At last came the turn of Quincy and his little partner, whose name was
unknown to him. He observed the grace with which she went through the
march, and when the dance came be wished he could have stood still and
watched her. Instead, he entered with his whole soul into the dance, and
at its conclusion he was astonished to hear the burst of applause and
cheers that fell upon his ears.
"Come along!" said his partner, and taking him by the hand she drew him
back through the arch, and the dance was repeated.
Three times in succession was this done in response to enthusiastic
applause, and Quincy was beginning to think that he would soon fall in
his tracks. He had no idea that any such fate would befall his partner,
for she seemed equal to an indefinite number of repetitions.
Public-domain text, read in full here on John Shaqi.
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