Quintus Claudius: A Romance of Imperial Rome. Volume 1Eckstein, Ernst
History
Quintus Claudius: A Romance of Imperial Rome. Volume 1
Eckstein, Ernst
Rome -- History -- Flavians, 69-96 -- Fiction
So, listless and silent, she lay on her pillows, reviewing in
imagination the events of the last few hours in pictures that seemed
to mock her as they passed. The Apollo-like figure of the young
patrician, who had fired her fancy at Baiae, seemed to smile at her
contemptuously; she sighed and closed her eyes, as though to escape the
vision. Till a few hours ago, she had believed that she had conquered
that madness. Her spirit had found strength in resolving on revenge,
and she had felt like a goddess bent on punishing the presumption of
a mortal. But now--in this new mood--she was conscious of a subtle
change, the desire for revenge remained, but now there was nothing
lofty, no sense of superiority in the feeling--the goddess had given
place to a vain, lovesick woman, full of annoyance and petty spite.
This change was a result of her altered circumstances; the sight of
her husband had reminded her of the fact which she had striven to the
utmost to ignore; that one word from that adored youth would have
sufficed to make this reconciliation an impossibility. Shame and
hatred, rage and passion, seethed in her soul, and her self-tormenting
fancy painted alternately the most enchanting and the most horrible
pictures. As in some hideous dream, the form and features of Quintus
were mixed up with those of her former lover, the executed actor. She
saw herself in tears, kneeling wildly at his feet--he raised her,
kissed her, her senses reeled. Then he scornfully flung her from
him--she shuddered from head to foot, and stabbed him desperately with
her poniard....
Then again she recalled the occasion, when Polycharma had returned to
her with the little tablet that Quintus had given to the slave-girl in
the park, the answer to her last passionate letter--that tablet had
been her death-warrant--but no, not hers--his! “He must die!”--she
seemed to see the words traced between those fatal lines.
Then everything faded from her vision like a landscape shrouded in
mist. Instead of the slave-girl, it was the flute-player, who stood
before her with a triumphant sparkle in her eyes, as her cheek flushed
under the traitor’s touch--as she had seen her stand, the bold hussy,
on the hill at Cumae--happy, no doubt, in the love that she, the
Empress, pined for.
The thought was intolerable; the miserable woman writhed under the
clutch of the demon of jealousy. She groaned and struggled for breath.
Polycharma started to her feet.
“Lady, mistress--what is the matter?” she asked, gazing helplessly at
Domitia’s distorted features. But the sound of a voice broke the spell;
Domitia controlled herself. Not a soul on earth, not even this trusted
slave, should ever know how low she could be brought. She would hold
herself proudly and defiantly--aye, though she should suffocate in the
effort. Polycharma should suppose that the adventure in the gardens of
Lycoris was a mere whim, a comedy; never would she betray the anguish
of her unrequited passion and deep humiliation.
Public-domain text, read in full here on John Shaqi.
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