Quintus Claudius: A Romance of Imperial Rome. Volume 1Eckstein, Ernst
History
Quintus Claudius: A Romance of Imperial Rome. Volume 1
Eckstein, Ernst
Rome -- History -- Flavians, 69-96 -- Fiction
“Yes, Baucis has told us the story. But after all--who cares what
goes on in Germania!--our legions are constantly engaged in fighting
on the frontier, now against the Dacians and now against the
Parthians[307]--I do not trouble myself about the where and the why.
Moral struggles, the battles we must fight at home, interest me far
more....”
“Particularly the law pleadings in the Senate, and before the court of
the Centumvirate!” said Claudia smiling.
“Certainly! out there, brute force decides the matter, but in the Forum
it is superior intellect that wins the day.”
“And one of the boldest champions is Cneius Afranius.”
“It is quite true; his whole individuality, his undaunted honesty, his
unfailing energy....”
“Hey day! what eloquence. Before long we shall see you in the Basilica
among the candidates for applause.”
“Laugh away, by all means! I assert my right and liberty to admire all
that is noble. If I were better looking, I should very likely exert
myself to achieve a conquest, for I frankly confess that I regard the
future wife of Afranius as a woman to be envied.”
“You are frank indeed.”
“I always am. And I find it all the easier, since I do not allow my
consciousness of my defects to destroy my peace of mind. The Gods
are unjust? For aught I care! You have a mouth like a rose-bud, I
have a muzzle like a Cantabrian bear![308] Fate we call that, or
Ananke![309]--Well, it is a lovely day for us both alike! Just see
what a crowd and bustle there are out here; I think we had better walk.
There is the portico with its hundred columns.”
Claudia stopped the bearers, and the two girls walked on to the
magnificent hall of Agrippa, followed at a short distance by the
Numidian slaves. Arm in arm they walked along the arcades, by the
famous mural paintings,[310] representing in the highest style of art,
scenes from the stories of the Greek divinities--the rape of Europa,
Cheiron the Centaur, and the voyage of the Argonauts. To the right they
saw the marble enclosures--Septa[311] they were called--in the midst
of which the Roman people assembled when the centuria[312] were called
upon to vote. Lucilia hoped she might one day be present at some stormy
debate here. Claudia found it more interesting, to linger over the gay
booths[313] and bazaar for luxurious trifles at the northern end of the
portico, where the precious produce of the remotest provinces of the
empire was displayed.
Public-domain text, read in full here on John Shaqi.
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