Quintus Claudius: A Romance of Imperial Rome. Volume 1Eckstein, Ernst
History
Quintus Claudius: A Romance of Imperial Rome. Volume 1
Eckstein, Ernst
Rome -- History -- Flavians, 69-96 -- Fiction
Quintus found the company in the greatest excitement; they were
standing in agitated knots vehemently discussing something;
uncertainty, alarm, and consternation were visible in all. The only man
who appeared altogether calm and indifferent was Stephanus, haggard and
diplomatically reserved. He was sitting apart, not far from the spot
where the avenue by which Quintus returned, opened on to the terrace. A
man of athletic build was lying on the ground, bleeding from numerous
wounds; in his right hand he held the hilt of a broken sword and his
left was pressed in speechless anguish to his breast, where the enemy’s
blade had pierced him. Five or six slaves, who had carried him hither,
were standing round him with expressive gestures, while Stephanus was
making a pitiable abortive attempt to cross-examine the dying man. At
about forty paces farther away four slaves, fearfully injured, were
lying in their blood. One had had his skull cleft to the neck, and the
others were covered with hideous and gaping wounds. All four were dead.
On the spot too, where just now the curtain of gold-tissue had
waved, there was the greatest confusion. The curtain[180] had been
lowered--the fanciful decorations of one side had been overthrown and
nearly half-burnt, while hammers, nails, ropes, fragments of dresses,
and rubbish of every kind strewed the stage. In the midst of this
hideous disorder a tall cross[181] stood upright.
It was some time before Quintus could get any connected account of what
had happened; at first ten voices were raised at once to their highest
pitch of explanation. Lycoris was sulky and peevish, because the best
effect of her whole programme had been spoilt. Her friend Leaina,
on the contrary, swore by Hercules that Quintus had lost the finest
sight in the world. His wily acquaintance Clodianus, who took every
opportunity of assuming airs of frank bluntness, railed in threatening
bass tones at the audacity of the rascals, and others wandered off
into questions, so that Quintus at last lost patience. He went to the
captain of the Praetorian guard, took him by the arm, and asked almost
angrily:
“Norbanus, will you tell me in plain words? I was absent, in the
remotest part of the wood, and on my return I find a perfect chaos.
What does it all mean?”
“It means one more sign of the times. Rome is become a perfect
Vesuvius; there are rumblings and mutterings on every side and in every
corner. What do you think? We were sitting here very contentedly on
the garden seats, enjoying the pleasures of digestion. Well, I was
just wondering to myself what this Massilian bay mare could still have
in reserve, and somewhat excited with curiosity, when the curtain was
lowered. A grand burst of music! and a fellow dressed in scarlet came
to the front and informed us in well-turned trimeters,[182] that a
devilish funny piece was about to be performed, the capital punishment
of a criminal slave[183] named Eurymachus....”
“What?” cried Quintus horrified.
Public-domain text, read in full here on John Shaqi.
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