Quintus Claudius: A Romance of Imperial Rome. Volume 2Eckstein, Ernst
History
Quintus Claudius: A Romance of Imperial Rome. Volume 2
Eckstein, Ernst
Rome -- History -- Flavians, 69-96 -- Fiction
And then it suddenly struck her, that Eurymachus was not exposed to
the vengeance of the steward only. As a Christian he was condemned by
law--and she could not interfere with the course of the law. The chief
point still remained open: she would examine him closely, if indeed
Stephanus agreed to her request. And he must, positively must. Only
the other day she had had him in leading-strings, but the child had
suddenly outgrown her management. Since she had become so intimate with
Parthenius--Parthenius! And might not this prime favorite of Caesar's
be of some service? If Parthenius spoke the word, Eurymachus would be
set at liberty, in spite of any sentence passed upon him.
Lycoris passed her hand across her forehead; her head was burning. What
strange ideas were these, that had taken possession of her? What a
concatenation of foolish fancies and wild, confused ideas! She hardly
perceived, that meanwhile the litter had reached the entrance to the
Flavian Amphitheatre. Leaina had to rouse her from her dreamy mood.
“What is the matter with you, golden-haired maid?” she said in a low
voice. “You seem depressed, and just now you were all in the mood for
enjoyment! Tell me--the sight of that refractory fugitive has reminded
you of the performance, which ended so unfortunately?--Oh! but your
vanity as a hostess makes you too sensitive. Smile again, enchantress!
Consider, half Rome is looking at us.”
“You are very right, child,” replied Lycoris. “Our part is to look
beautiful, and we may leave grave thoughts to the vestal virgins.”
They got out of the litter, while one of the slaves obtained at an
office on the right hand of the door-way, the _tesserae_, ivory tickets
of admission,[132] on which the numbers of the seats were marked in
Latin and in Greek. The two girls took their tickets and slowly made
their way through the crush, to the places pointed out to them by an
attendant in a gaily-colored holiday tunic.[133] They gave him a small
gratuity in silver, dropped on to the cushions, which a slave had
carried in for them,[134] and drew a deep breath, quite tired out with
standing, climbing and struggling.
The amphitheatre was a magnificent spectacle. The fighting was not to
begin for half an hour yet, but the rows of seats, particularly the
higher and cheaper ones, were already crammed. Every part was as gay
as a flower-garden with gorgeous dresses,[135] eager eyes, and faces
flushed with expectation. Even the poorest had donned a newly-cleaned
and bleached toga. The gentler sex, decorated with gold pins and
diadems, was particularly strongly represented, from the matron of
senatorial rank to the artisan’s wife, and the gay Syrian of more than
doubtful origin.
Public-domain text, read in full here on John Shaqi.
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