Quintus Claudius: A Romance of Imperial Rome. Volume 2Eckstein, Ernst
History
Quintus Claudius: A Romance of Imperial Rome. Volume 2
Eckstein, Ernst
Rome -- History -- Flavians, 69-96 -- Fiction
Quintus sank on the stone bench[90] that served as a bed-place, utterly
annihilated; the last drop of his self-command seemed to evaporate, as
the echoing steps of the gaoler died into silence. He covered his face
with his hands, and a wild groan broke from him; then for nearly an
hour he sat stunned and motionless.
Exhaustion and cold recalled him to his senses; a raw, damp atmosphere
pervaded the underground vault. He shuddered and drew his cloak, which
had fallen off, over his shoulders; then he looked round him.
The cell was rather longer than it was wide, rectangular, and just high
enough to allow of his standing upright. By day a niggardly ray of
light might be admitted through a round hole in the roof; at present a
smoky little oil-lamp was burning on one side of the room, opposite the
bed-place. Besides this couch the cell contained a rough wooden bench
and a short iron rivet, furnished with rings and chains, to which the
temporary resident in the cell could be secured, and he perceived a
second rivet of the same kind on the opposite side near the bed.
With a tremulous hand he lightly touched the rattling irons; it
made him shiver. He started to his feet, and began to pace the cell
in feverish excitement. He involuntarily remembered that Gaetulian
mountain lion which, at Ostia, had rushed so fiercely at the bars of
its cage.... He, a proud and noble Roman, was caged now, no better off
than a wild beast.--No better! His scornful laughter echoed uncannily
through the vaults. He compared the lion’s airy and open cage with
the hideous dungeon that held a man but just now free and happy--and
he envied the brute. That clumsy, dull, black door confronted him as
though it could never open again; he went close up to it, struck it
with his fists, and tried to shake it. It neither moved nor rattled.
It was as immovable in the masonry as the lid of some huge primeval
sarcophagus. He suddenly felt helplessly inconsolable, and pressing his
forehead against the cold iron plate, he cried like a child.
What was that written in Greek characters--carefully, elaborately
scratched by hands that had all-too-much time? He read through his
tears a message of promise.
“Jesus, my Saviour and Redeemer.--To Thee I live and die.”
Public-domain text, read in full here on John Shaqi.
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