"The scene is Paris; the time some two years ago; the heroine is a
friend of mine, a lady belonging to the highest society in France,
whose fate had been similar to my own in one respect only: she too had
married at sixteen, and been shortly after left a childless widow.
Claudine--I give you her Christian name alone, for the other is
unimportant to us--was not only, of course, much more beautiful than I,
in fact, extraordinarily beautiful and much more gifted; she was also
for good--and, as I may add without boasting, for evil--a much greater,
more energetic creature. Not that I have anything very bad to say of
dear Claudine, or, at least, nothing worse than has been said of many a
woman who could not, perhaps, claim such weighty 'extenuating
circumstances.' Her mother had, for reasons of her own, persuaded her
into this marriage, which had turned out singularly unhappy. Her
husband, although allowing for the difference of sex, he was scarcely
older than she herself at the time of the marriage--he was then
two-and-twenty--had, though so young, already managed to be
acknowledged as one of the completest _roués_ of all Paris, in spite of
the keen rivalry of his high-born compeers. He had seen in the innocent
young girl only an additional mistress whom, after a brief period, one
could neglect with the greater impunity, since one could feel sure of
her, and since she, moreover, in spite of, or perhaps, rather because
of, her pride, did not seem to belong to those troublesome women who
make 'scenes.' And indeed, after she had realised what, from another
side, was made clear to her, they had but one 'scene,' but a terrible
one, a recurrence of which was both impossible and unnecessary. He
thoroughly understood her then--and she had proved a hundred times the
stronger of the two. He was allowed to continue his own way of living,
on the one condition that he did not concern himself in the least about
hers. And hers? Well, I told you hers was a passionate nature, and she
was an unhappy wife; that combination can yield nothing but
unhappiness. Fortunately for her, she was speedily set free from the
worst impulse, the one which had poisoned and warped her passionate
nature; for her husband died. She was free once more, and vowed to
remain free. Not that she did not mean to marry again; in the circles
where she lived, she could only by a second marriage escape from the
bondage of those relationships into which one is forced as into a new
fashion, abominable though you may think either. Her second marriage
was but to guarantee her a clear position in the world; the other
guarantees for peace and for freedom she thought she bore within
herself. And so she made her choice.
Public-domain text, read in full here on John Shaqi.
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