Granted that, from the critic's standpoint, every word said may be
true, wise, and just. This does not, by any means, make it wise to
say it. The mental and spiritual condition of the recipient _must_ be
considered as of far more importance than the condition of the giver
of the wise exhortations. The latter is all right, he doesn't need
such admonitions; the other does. The important question, therefore,
should be: "Is he ready to receive them?" If not, if the time is
unpropitious, the mental condition inauspicious, better do, say,
nothing, than make matters worse. But, unfortunately, it generally
happens that at such times the critic is far more concerned at
unbosoming himself of his just and wise admonitions than he is as to
whether the time is ripe, the conditions the best possible, for the
word to be spoken. The sacred writer has something very wise and
illuminating to say upon this subject. Solomon says: "A word spoken in
due season, how good is it!" Note, however, that it must be spoken "in
due season," to be good. The same word spoken out of season may be,
and often is, exceedingly bad. Again he says: "A word fitly spoken
is like apples of gold in pictures of silver." But it must be _fitly_
spoken to be worthy to rank with apples of gold.
CHAPTER XII
THE WORRY OF THE SQUIRREL CAGE
Reference has already been made to _The Squirrel Cage_, by Dorothy
Canfield. Better than any book I have read for a long time, it reveals
the causes of much of the worry that curses our modern so-called
civilized life. These causes are complex and various. They include
_vanity, undue attention to what our neighbors think of us, a false
appreciation of the values of things_, and they may all be summed
up into what I propose to call--with due acknowledgement to Mrs.
Canfield--_the Worry of the Squirrel Cage_.
I will let the author express her own meaning of this latter term. If
the story leading up seems to be long please seek to read it in the
light of this expression:[A]
[Footnote A: Reprinted from "The Squirrel-Cage" by Dorothy Canfield
($1.35 net); published by Henry Holt and Company, New York City.]
When Mr. and Mrs. Emery, directly after their wedding in a
small Central New York village, had gone West to Ohio,
they had spent their tiny capital in building a small
story-and-a-half cottage, ornamented with the jig-saw work and
fancy turning popular in 1872, and this had been the nucleus
of their present rambling, picturesque, many-roomed home.
Every step in the long series of changes which had led from
its first state to its last had a profound and gratifying
significance for the Emerys and its final condition,
prosperous, modern, sophisticated, with the right kind of
wood work in every room that showed, with the latest, most
unobtrusively artistic effects in decoration, represented
their culminating well-earned position in the inner circle of
the best society of Endbury.
Public-domain text, read in full here on John Shaqi.
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