It may be well to explain here that Rowan was not without good
standing-ground in his dispute with Tappitt. Old Bungall's will had
somewhat confused matters, as it is in the nature of wills to do;
but it had been Bungall's desire that his full share in the brewery
should go to his nephew after his widow's death, should he on dying
leave a widow. Now it had happened that he had left a widow, and
that the widow had contrived to live longer than the nephew. She had
drawn an income of five hundred a year from the concern, by agreement
between her and her lawyer and Tappitt and his lawyer; and Tappitt,
when the elder Rowan, Bungall's nephew, died, had taught himself
to believe that all the affairs of the brewery must now remain for
ever in his own hands, unless he himself might choose to make other
provision. He knew that some property in the concern would pass away
from him when the old lady died, but he had not acknowledged to
himself that young Rowan would inherit from his father all the rights
which old Rowan would have possessed had he lived. Luke's father had
gone into other walks of life, and had lived prosperously, leaving
behind him money for his widow, and money also for his children; and
Tappitt, when he found that there was a young man with a claim to
a partnership in his business, had been not only much annoyed, but
surprised also. He had been, as we have seen, persuaded to hold out
the right hand of friendship, and the left hand of the partnership to
the young man. He had thought that he might manage a young man from
London who knew nothing of beer; and his wife had thought that the
young man might probably like to take a wife as well as an income
out of the concern; but, as we have seen, they had both been wrong
in their hopes. Luke chose to manage the brewery instead of being
managed; and had foolishly fallen in love with Rachel Ray instead of
taking Augusta Tappitt to himself as he should have done.
Public-domain text, read in full here on John Shaqi.
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