Raemaekers' Cartoons: With Accompanying Notes by Well-known English WritersRaemaekers, Louis
History
Raemaekers' Cartoons: With Accompanying Notes by Well-known English Writers
Raemaekers, Louis
Raemaekers, Louis, 1869-1956; World War, 1914-1918 -- Caricatures and cartoons
In this cartoon Raemaekers has contrived to indicate powerfully what is
after all the dominant and peculiar note of the German people. No
European nation has ever taken war--as people say so "seriously," that
is, with so much concentration of attention and elaborate preparation,
as has the German Empire. No people has ever had it so thoroughly
drilled into its collective mind as have the German subjects of that
Empire that war is not only, as all Christian people have always
believed, an expedient lawful and necessary upon occasion, but a thing
highly desirable in itself, nay, the principal function of a "superior"
race and the main end of its being.
And yet after all the actual German is never, like the Frenchman, a
natural and instinctive warrior--any more than he is, like the
Englishman, a natural and instinctive adventurer. The whole business of
Prussian militarism, with the half-witted philosophy by which it is
justified, has to be imposed upon him from without by his masters. He
fights just as he works, just as he tortures, violates, and murders,
because he is told to do so by persons in a superior position, holding
themselves stiffly, dressed in uniform, and able to hit him in the face
with a whip.
Long before the war the absurd Koepenick incident gave us a glimpse of
this astonishing docility on its farcical side. Its tragic side is well
illustrated by the droves of helpless and inarticulate barbarians driven
into the shambles daily (as at Verdun) for the sole purpose of covering
up the blunders of their very "efficient" superiors. One could pity the
wretches if there were not so considerable a leaven of wickedness in
their stupidity.
CECIL CHESTERTON.
[Illustration: A LETTER FROM THE GERMAN TRENCHES
"We have gained a good bit, our cemeteries now extend as far as the
sea."]
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HIS MASTER'S VOICE
The manipulation of the Press is one of the weapons which Bismarck
taught German Imperialism to use. Like others it has been developed by
his successors into an instrument which the master himself would hardly
have recognized. It is one of the most potent means of that "peaceful
penetration" of all other countries which was nothing but a preparation
for war. And it has been used in the war with a purposefulness of aim
and a versatility of method that betoken long and systematic study. It
is a ubiquitous influence and the most subtle of all. Yet the Press is
held in greater contempt by official and other ruling circles in Germany
than in any other country. They despise the tool, while tacitly
acknowledging its utility by unsparing use.
Public-domain text, read in full here on John Shaqi.
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