By noon of the next day they reached the point at which Billy Brackett
had last seen the raft, and they knew that here their search for it
must begin in earnest. For five days more they swept on down the
mighty river at the rate of nearly a hundred miles a day. They no
longer ran at night, for fear of passing the raft in the darkness, but
from sunrise to sunset they hurried southward with all possible speed.
They made inquiries at every town and ferry landing; they scanned
critically every raft they passed, and boarded several that appeared to
be about the size of the _Venture_, though none of them showed a tent
in addition to its "shanty." During every minute of daylight either
Billy Brackett or Winn watched the river from the upper deck, but at
the end of five days they had not discovered the slightest trace of the
missing raft.
Cap'n Cod became so interested in the chase that he would willingly
have kept it up by night as well as by day, without stopping to give
exhibitions anywhere; but this Billy Brackett would not allow.
"We are certainly travelling faster than they," he argued, "even if
they are not making any stops, which is improbable, considering the
nature of their business. So we must overtake them sooner or later,
and we can't afford the risk of missing them by running at night.
Besides, this is a show-boat, and not a police patrol boat. Its
reputation must be sustained, and though we don't take time enough at
any one place to advertise, and so attract a crowd, we can at least pay
expenses."
So the panorama was exhibited every evening, and Billy Brackett, acting
as lecturer, pointed out the beauties of the "composite" paintings, in
his own witty, happy-go-lucky way, to such audiences as could be
collected.
At one of these exhibitions, given at Alton, only twenty miles from St.
Louis, and just above the point where the clear waters of the
Mississippi disappear in the turbid flood of the greater Missouri, an
incident occurred that, while only regarded as amusing at the time, was
productive of most important results to our friends. At Billy
Brackett's suggestion, Don Blossom, dressed to represent the lecturer,
had been trained to slip slyly on the stage after the panorama was well
under way. Provided with a bit of stick, he would walk behind the
lecturer, and gravely point at the picture in exact imitation of the
other's movements. For a minute or so Billy Brackett would continue
his remarks as though nothing unusual were happening. At length, when
he had allowed sufficient time to elapse for an audience to fully
appreciate the situation, he would turn as though to learn the cause of
their uproarious mirth, discover the monkey, and chase him from the
stage with every sign of anger.
Public-domain text, read in full here on John Shaqi.
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