Americans -- Italy -- Fiction; New England -- Fiction; Young women -- Fiction
It was nearing the end of the term which she had tacitly given her lover
to make the first sign by letter, when one morning Mrs. Lander woke her.
She wished to say that she had got the strength to leave Venice at last,
and she was going as soon as their trunks could be packed. She had
dressed herself, and she moved about restless and excited. Clementina
tried to reason her out of her haste; but she irritated her, and fixed
her in her determination. "I want to get away, I tell you; I want to get
away," she answered all persuasion, and there seemed something in her
like the wish to escape from more than the oppressive environment, though
she spoke of nothing but the heat and the smell of the canal. "I believe
it's that, moa than any one thing, that's kept me sick he'e," she said.
"I tell you it's the malariar, and you'll be down, too, if you stay."
She made Clementina go to the banker's, and get money to pay their
landlord's bill, and she gave him notice that they were going that
afternoon. Clementina wished to delay till they had seen the vice-consul
and the doctor; but Mrs. Lander broke out, "I don't want to see 'em,
either of 'em. The docta wants to keep me he'e and make money out of me;
I undastand him; and I don't believe that consul's a bit too good to take
a pussentage. Now, don't you say a wo'd to either of 'em. If you don't do
exactly what I tell you I'll go away and leave you he'e. Now, will you?"
Clementina promised, and broke her word. She went to the vice-consul and
told him she had broken it, and she agreed with him that he had better
not come unless Mrs. Lander sent for him. The doctor promptly imagined
the situation and said he would come in casually during the morning, so
as not to alarm the invalid's suspicions. He owned that Mrs. Lander was
getting no good from remaining in Venice, and if it were possible for her
to go, he said she had better go somewhere into cooler and higher air.
Public-domain text, read in full here on John Shaqi.
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