Valentini lit the hanging lamp and drawing the upright easel under it
settled himself to work. He was preparing the drawing of a water colour
study of costume. He worked steadily for half an hour or so, then pushed
back the easel with an expression of disgust and walked to the window,
lighting a _toscano_ as he did so. The moonlight lay clear and cold over
the city roofs, throwing the endless variety of chimney-pots into bold
relief. As he stood looking out the clocks of the city struck ten--not
in unison, each striking in turn and making the most of it. The bells of
S. Spirito across the river pealed the hour. A carriage rattled over the
stone pavements a street or two away, but just below all was dark and
silent, from the Via Calzaioli around the corner came the subdued hubbub
of the promenading crowd.
The young man closed the window and went back to his seat, passing his
hand wearily over his forehead.
"Another of those headaches, and this thing must be finished by
to-morrow noon!" he groaned, and set resolutely to work.
At the same hour, Ragna was leaning out of her window, gazing at the
silvery Arno, bordered by its golden chain of lamps and barred by its
light crowned bridges.
The pension was on the Lung Arno Acciajoli between the Ponte Vecchio,
and the St. Trinità bridge, so that to the right she saw the Carraja
bridge, and beyond that the long sweeping curve of the river towards the
Cascini, and on the other hand above the Ponte Vecchio, the cypress
crowned height of S. Miniato shadowy against the star-powdered sky.
"Here I shall find peace," she said to herself.
The dark spire of S. Spirito across the river drew her gaze, and beyond
and behind it, on Bellosguardo, a white house stood out softly in the
moonlight. The river rippled by gently, slipping past the stained walls
of the gloomy old houses opposite overhung by the mystery of their
forbidding black height, and out again into the light, reflecting the
brightness of moon and stars, in a thousand flickering wavelets; from
the _pescaja_ far below came the muffled sound of the water flowing over
the dam.
Down on the street some men were playing mandolins and guitars, and
singing in mellow passionate voices; the plaintive minor refrain of the
_stornelli_ rose in the still night, and the girl's heart ached with the
beauty of it all. Then silently, slowly, tears fell from her eyes; she
suddenly felt lonely, miserable, shut out from love, shorn of the
illusions that should be hers by right. The hated face of Mirko
interposed itself between her and the beauty of the night, and the old
shame gripped her by the throat. With a choking sob she flung the
casement to and crept into bed. From below the words of the song,
swelling in the soft spring air, floated up to her: "_Metti anche tu,
la veste bianca--_"
Ah, yes, the bride's dress of virgin white was indeed for her!
CHAPTER IX
Public-domain text, read in full here on John Shaqi.
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