Beppino handed up the desired bottle, and a hard brush dipped in
turpentine, gripped firmly in the child's fist was presently scrubbing
diligently backwards and forwards over the freshly painted surface. Oily
streams ran down from the eyes over cheeks and chin, gobs of impasto
spread themselves impartially over the blurred features, the dark of the
hair ran down into the face. Face? It was no longer distinguishable as
such, and under Beppino's vigorous efforts the white satin of the skirt
looked like a Scottish tartan in delirium tremens.
"Beppino," said Mimmo suddenly, in an awed whisper, "her face is coming
off!"
It was at this moment that Egidio entered the studio; he saw the
children and sprang forward. Beppino, waving his brush, called
joyfully,--fear lost in the glory of achievement.
"Babbo! Babbo! we's helping 'oo!"
"Helping indeed!" His eyes roved over the devastated canvas, on which
were spread the ruins of his labour of love and a blind fury gripped
him.
"_Accidento a voi!_" he yelled, and the children shrank from his blazing
eyes and congested face. He seized the two small culprits by their Van
Dyck collars and dragged them over to the side of the room where the
armour was. The children, too frightened to cry, struggled, but he held
them easily with his left hand while he looked about him for an
instrument of punishment; seeing a foil in the rack, he took it down.
The first blow brought an agonized scream from both boys, a scream that
Carolina heard in the dining-room, where she had just finished laying
the table for their _goûter_; and that brought her breathless and with
flying feet to the studio door. There she stood a second, horrified by
the sight that met her eyes. Egidio, his face distorted like that of a
fiend, stood slashing at the children indiscriminately and mercilessly;
the poor little things had put up their arms instinctively to shield
their faces, and each whistling stroke wrung from them a fresh scream,
as it descended. Mimmo's golden curls tossed wildly as he shook in the
grasp of the madman--for Egidio at that moment was mad--his lace collar
was torn, and on his poor little wrist were cruel marks from which red
drops trickled. Being the bigger of the two he partially masked
Beppino.
Carolina paused but for the taking in of a breath, then she sprang
forward and seized in mid-air the hand wielding the foil. Egidio turned
on her with a snarl, infuriated by the interruption.
"Go, woman!" he yelled, "how dare you come here?"
"Stop it!" she answered, "let the children go!"
"I shall punish them as I see fit, I--their father. They have ruined my
work, do you hear? My work of weeks! Look!"
She glanced at the portrait and saw that it was smeared but her
untutored mind could not grasp the extent of the disaster. The sight of
it maddened Valentini again and he made an effort to wrench his hand
from her hold.
"Signore," she pleaded, "remember that they are little, they are only
babies, they did not know."
Public-domain text, read in full here on John Shaqi.
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