Ragnarok : the Age of Fire and GravelDonnelly, Ignatius
Science
Ragnarok : the Age of Fire and Gravel
Donnelly, Ignatius
Atlantis (Legendary place); Comets; Drift
In the Saxon Beowulf we have Grendel, a terrible monster, who comes
to the palace-hall at midnight, and drags out the sleepers and sucks
their blood. Beowulf assails him. A ghastly struggle follows in the
darkness. Grendel is killed. But his fearful mother, the devil's
clam, comes to avenge his death; she attacks Beowulf, and is
slain.[1] There comes a third dragon, which Beowulf kills, but is
stifled with the breath of the monster and dies, rejoicing, however,
that the dragon has brought with him a great treasure of gold, which
will make his people rich.[2]
[1. Poor, "Sanskrit and Kindred Literatures," p. 315.
2. Ibid.]
{p. 234}
Here, again, are the three comets, the wolf, the snake, and the dog
of Ragnarok; the three arrows of the American legends; the three
monsters of Hesiod.
When we turn to Egypt we find that their whole religion was
constructed upon legends relating to the ages of fire and ice, and
the victory of the sun-god over the evil-one. We find everywhere a
recollection of the days of cloud, "when darkness dwelt upon the face
of the deep."
Osiris, their great god, represented the sun in his darkened or
nocturnal or ruined condition, before the coming of day. M.
Mariette-Bey says:
"Originally, Osiris is the nocturnal sun; he is _the primordial night
of chaos_; he is consequently anterior to Ra, the Sun of Day."[1]
Mr. Miller says:
"As nocturnal sun, Osiris was also regarded as a type of the sun
_before its first rising_, or of the primordial night of chaos, and
as such, according to M. Mariette, his first rising--his original
birth to the light under the form of Ra--symbolized the birth of
humanity itself in the person of the first man."[2]
M. F. Chabas says:
"These forms represented the same god at different hours of the day.
. . . the nocturnal sun and the daily sun, which, succeeding to the
first, dissipated the darkness on the morning of each day, and
renewed the triumph of Horus over Set; that is to say, _the cosmical
victory which determined the first rising of the sun_--the
organization of the universe at the commencement of time. Ra is the
god who, after _having marked the commencement of time_, continues
each day to govern his work. . . . He succeeds
[1. "Musée de Boulaq," etc., pp. 20, 21, 100, 101.
2. Rev. O. D. Miller, "Solar Symbolism," "American Antiquarian,"
April, 1881, p. 219.]
{p. 235}
to a primordial form, Osiris, the nocturnal sun, or better, _the sun
before its first rising_."[1]
"_The suffering and death of Osiris_," says Sir G. Wilkinson, "_were
the great mystery of the Egyptian religion_, and some traces of it
are perceptible among other people of antiquity. His being the divine
goodness, and the abstract idea of good; his _manifestation upon
earth_, his _death_ and _resurrection_, and his office as judge of
the dead in a future state, look like the early revelation of a
future manifestation of the Deity, converted into a mythological
fable."[2]
Public-domain text, read in full here on John Shaqi.
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