Ragnarok : the Age of Fire and GravelDonnelly, Ignatius
Science
Ragnarok : the Age of Fire and Gravel
Donnelly, Ignatius
Atlantis (Legendary place); Comets; Drift
"As to the creation, they teach that a certain Big Man began by
making the _naked earth, silent and bleak_, with nothing of plant or
animal thereon, save one Indian, who roamed about _in a wofully
hungry and desolate state_. Suddenly there arose a terrible
whirlwind, _the air grew dark and thick with dust and drifting sand_,
and the Indian fell upon his face in sore dread. Then there came a
great calm, and the man rose and looked, and lo, all the earth was
perfect and peopled; the grass and the trees were green on every
plain and hill; the beasts of the field, the fowls of the air, the
creeping things, the things that swim, moved everywhere in his
sight."[1]
Here, as often happens, the impressive facts are remembered, but in a
disarranged chronological order. There came a whirlwind, thick with
dust, the clay-dust, and drifting sand and gravel. It left the world
naked and lifeless, "silent and bleak"; only one Indian remained, and
he was dreadfully hungry. But after a time all this catastrophe
passed away, and the earth was once more populous and beautiful.
In the Peruvian legends, Apocatequil was the great god who saved them
from the powers of the darkness. He restored the light. He produced
the lightning by hurling stones with his sling. The thunder-bolts are
_small, round, smooth stones_.[2]
The stone-worship, which played so large a part in antiquity, was
doubtless due to the belief that many of the stones of the earth had
fallen from heaven. Dr. Schwarz,
[1. Bancroft's "Native Races," vol. iii, p. 86.
2. Brinton's "Myths of the New World," p. 165.]
{p. 257}
of Berlin, has shown that the lightning was associated in popular
legends _with the serpent_.
"When the lightning kindles the woods it is associated with the
_descent of fire from heaven_, and, as in popular imagination, where
it falls it scatters the thunderbolts in all directions, _the
flint-stones_, which flash when struck, were supposed to be these
fragments, and gave rise to the stone-worship so frequent in the old
world."[1]
In Europe, in old times, the bowlders were called devil-stones; they
were supposed. to have originated from "the malevolent agency of
man's spiritual foes." This was a reminiscence of their real source.
The reader will see (page 173, _ante_) that the Iroquois legends
represent the great battle between the _White One_, the sun, and the
_Dark One_, the comet. The _Dark One_ was wounded to death, and, as
it fled for life, "the blood gushed from him at every step, and as it
fell _turned into flint-stones_."
Here we have the red clay and the gravel both represented.
Among the Central Americans the flints were associated with Hurakan,
Haokah, and Tlaloe {_Tlaloc?--jbh_}, the gods of storm and thunder:
Public-domain text, read in full here on John Shaqi.
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