Ragnarok : the Age of Fire and GravelDonnelly, Ignatius
Science
Ragnarok : the Age of Fire and Gravel
Donnelly, Ignatius
Atlantis (Legendary place); Comets; Drift
"The antiquary, or the critic, who has been at the pains to trace the
history of the Grecian drama from its first weak and imperfect
efforts, and has carefully observed its tardy progress to perfection,
will scarcely, I think, without astonishment, contemplate a poem
produced so many ages before, so elegant in its design, so regular in
its structure, so animated, so affecting, so near to the true
dramatic model; while, on the contrary, the united wisdom of Greece,
after ages of study, was not able to produce anything approaching to
perfection in this walk of poetry before the time of Æschylus."[1]
Smith says:
"The debate rises high above earthly things; the way and will and
providential dealings of God are investigated. All this is done with
the greatest propriety, with the most consummate skill; and,
notwithstanding the expression of some erroneous opinions, all is
under the influence of a devout and sanctified temper of mind."[2]
Has this most ancient, wonderful, and lofty work, breathing the
spirit of primeval times, its origin lost in the night of ages,
testifying to a high civilization and a higher moral development, has
it anything to do with that event which lay far beyond the Flood?
If it is a drama of Atlantean times, it must have passed through many
hands, through many ages, through many tongues, before it reached the
Israelites. We may expect its original meaning, therefore, to appear
through it only like the light through clouds; we may expect that
later generations would modify it with local names and allusions; we
may expect that they would even strike out parts whose meaning they
failed to understand, and
[1. "Hebrew Poetry," lecture xxxiii.
2. "Sacred Annals," vol. i, p. 365.]
{p. 281}
interpolate others. It is believed that the opening and closing parts
are additions made in a subsequent age. If they could not comprehend
how the fire from heaven and the whirlwind could have so utterly
destroyed Job's sheep, servants, property, and family, they would
bring in those desert accessories, Sabæan and Chaldean robbers, to
carry away the camels and the oxen.
What is the meaning of the whole poem?
God gives over the government of the world for a time to Satan, to
work his devilish will upon Job. Did not God do this very thing when
he permitted the comet to strike the earth? Satan in Arabic means a
serpent. "Going to and fro" means in the Arabic in "the heat of haste
"; Umbreit translates it, "from _a flight over the earth_."
Job may mean a man, a tribe, or a whole nation.
From a condition of great prosperity Job is stricken down, in an
instant, to the utmost depths of poverty and distress; and the chief
agency is "fire from heaven" and great wind-storms.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account