Prostitutes -- Fiction; United States -- Fiction; Women -- Fiction
Fanny was weak. She had walked level through the dark. Now for some time
she felt that she was mounting. Felt this as one would who tramped in
blackness by the strain upon herself. She could not touch the essence of
her thoughts, gazing at Clara. They both had left a common world which
they had never shared, years since. What in the sheer uncommonness of
their separate careers was it they felt they shared? It was very strange
to Fanny. They had no mutual subject. They sat across the table from
each other, mostly in silence. What there had been to speak of ...
Christopher Johns, the Office ... was dead in them both, was no subject.
Yet now they shared a silence, they shared a pregnancy.--I am at ease,
here, weary, full of food.... I am going to listen to music. Mounting, I
am at rest!
They sat in the first row of the Balcony. Fanny knew these two young
women ... one not so young!... sharp in the motley welter of the crowd.
They were swathed together in one sharpness by the anarchic auras of the
other men and women. Fanny saw herself: small, pallid, worn in her black
skirt and her dun waist, close to this girl who had sold her defeat for
the clear rose-colored smartness of her suit, for the diamond pin under
her lovely throat, for the sleek health of her hair. But her eyes, she
felt her eyes greater than ever, wandering in the hunger of her face ...
the eyes of Clara were great and were her own.
The music was far away.... “This is a tale of far away, a world I have
left and forgotten.” The curtain rose. The actors were clad in costumes
of 1840. White Pierrot danced through the glitter of ladies in prim
bonnets, gleaming bared breasts, hooped skirts. Rhymed words, words of
love and fidelity and perfection chimed with the pelt of taffetas and
brocade, of powdered hands flirting fans: and white Pierrot with eyes
lost in the paint of a gay world, seeking love and perfection.
--People do not dream this way. I was not alive then. This is a costume
comedy with pretty airs. Romantic ... means false, in time and in place.
Fanny struggled now against a world falsely remembered.--This is not
true, not yours. Pierrot was in love with a fine lady who tinkled at a
clavichord ... gowned in sheer black with her white shoulders bare. Her
flirting shoulders and her painted lips took his round love: his deep
was lost in her shadow: Pierrot was lost. He left her broken: and
another man with words of love sharp like hooks to catch her flesh
caught in her shoulders (they had not turned for Pierrot), turned her
round, won her.
Public-domain text, read in full here on John Shaqi.
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