Cuba -- History -- Revolution, 1895-1898 -- Fiction
Norine's protests at leaving Esteban went unheeded, and Leslie Branch
escorted her in place of the bridegroom, who lay blissfully dreaming in
his hammock. Her amazement passed all bounds when, from the hidden
recess behind the palm-leaves, came not the music of mandolins and
guitars, but the strains of a balanced orchestra under the leadership
of Cuba's most eminent bandmaster. Whence the players had come, where
they had found their instruments, was a mystery, but they played well,
divinely, so it seemed to the music-hungry diners. Such a banquet as
that was! Some one had contributed a demijohn of wine, and there was
coffee, too, at the last, made from the berries of some jungle plant.
The chef, once famous at the Inglaterra, was forced to appear and take
homage for this final triumph.
Rosa, very dainty in her borrowed nurse's uniform, was round-eyed,
timid; she evoked much admiration, but when she was addressed as Senora
O'Reilly she blushed to the roots of her hair and shrank close to her
husband's side. To feel herself secure, to see on all sides friendly
faces, to know that these fine men and women--there were numerous good
Cuban matrons present--were her own people and meant her well, was
almost unbelievable. She had so long been hidden, she had so long
feared every stranger's glance, it was not strange that she felt ill at
ease, and that the banquet was a grave ordeal for her.
Branch proved to be a happy choice as Esteban's proxy, for he relieved
Norine's anxiety and smothered her apprehensions. When called upon to
speak he made a hit by honestly expressing his relief at escaping the
further hazards of this war. Prompted by some freakish perversity, and
perhaps unduly stimulated by the wine he had drunk, he made open
confession of his amazing cowardice.
O'Reilly interpreted for him and well-nigh every sentence evoked
laughter. El Demonio's heroic reputation had preceded him, therefore
his unsmiling effort to ridicule himself struck the audience as a new
and excruciatingly funny phase of his eccentricity. Encountering this
blank wall of disbelief, Branch waxed more earnest, more convincing; in
melancholy detail he described his arrant timidity, his cringing fear
of pain, his abhorrence of blood and steel. His elongated face was
genuinely solemn, his voice trembled, his brow grew damp with
unpleasant, memories; he seemed bent upon clearing his conscience once
for all. But he succeeded only in convulsing his hearers. Women
giggled, men wiped tears from their eyes and declared he was a
consummate actor and the rarest, the most fantastic humorist they had
ever listened to. They swore that Cuba had lost, in him, a peerless
champion. When he had finished they cheered him loudly and the
orchestra broke into a rousing military march.
Leslie turned to voice his irritation and surprise to Norine, but she
had slipped away, so he glared at O'Reilly, wondering how the latter
had so artfully managed to mistranslate his remarks.
Public-domain text, read in full here on John Shaqi.
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