Domestic fiction; England -- Fiction; Fathers and sons -- Fiction; Inheritance and succession -- Fiction
Mary, have you nothing to
say?"
"I trust, uncle, you are not tired of me."
"Tired of you! Certainly not. I have not been with you since you
have been here as much as I should have wished because,--indeed for
various reasons. But we all like you, and nobody wants to get rid of
you. But there is a way in which young ladies leave their own homes,
which is generally thought to be matter of congratulation. But, as I
said before, nobody shall press you."
"Dear uncle, I am so full of thanks to you for your kindness."
"But it is of course my duty as your guardian to tell you that in my
opinion this gentleman is entitled to your esteem."
After that Mary left him without another word, and taking her hat
and cloak as she passed through the hall went at once out into the
garden. It was a fine autumn morning, almost with a touch of summer
in it. We do not know here that special season which across the
Atlantic is called the Indian summer,--that last glow of the year's
warmth which always brings with it a half melancholy conviction of
the year's decay,--which in itself is so delightful, would be so
full of delight, were it not for the consciousness which it seems
to contain of being the immediate precursor of winter with all its
horrors. There is no sufficient constancy with us of the recurrence
of such a season, to make any special name needful. But now and
again there comes a day, when the winds of the equinox have lulled
themselves, and the chill of October rains have left the earth, and
the sun gives a genial, luxurious warmth, with no power to scorch,
with strength only to comfort. But here, as elsewhere, this luxury
is laden with melancholy, because it tells us of decay, and is the
harbinger of death. This was such a day, and Mary Bonner, as she
hurried into a shrubbery walk, where she could wander unseen, felt
both the sadness and the softness of the season. There was a path
which ran from the front gate of the villa grounds through shrubs
and tall evergreens down to the river, and was continued along the
river-bank up through the flower-garden to windows opening from the
drawing-room. Here she walked alone for more than an hour, turning as
she came to the river in order that she might not be seen from the
house.
Public-domain text, read in full here on John Shaqi.
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