Authors, American -- 19th century -- Biography; Emerson, Ralph Waldo, 1803-1882
Emerson's mode of living was very simple: coffee in the morning, tea in
the evening, animal food by choice only once a day, wine only when with
others using it, but always _pie_ at breakfast. "It stood before him and
was the first thing eaten." Ten o'clock was his bed-time, six his hour
of rising until the last ten years of his life, when he rose at seven.
Work or company sometimes led him to sit up late, and this he could
do night after night. He never was hungry,--could go any time from
breakfast to tea without food and not know it, but was always ready for
food when it was set before him.
He always walked from about four in the afternoon till tea-time, and
often longer when the day was fine, or he felt that he should work the
better.
It is plain from his writings that Emerson was possessed all his life
long with the idea of his constitutional infirmity and insufficiency.
He hated invalidism, and had little patience with complaints about
ill-health, but in his poems, and once or twice in his letters to
Carlyle, he expresses himself with freedom about his own bodily
inheritance. In 1827, being then but twenty-four years old, he writes:--
"I bear in youth the sad infirmities
That use to undo the limb and sense of age."
Four years later:--
"Has God on thee conferred
A bodily presence mean as Paul's,
Yet made thee bearer of a word
Which sleepy nations as with trumpet calls?"
and again, in the same year:--
"Leave me, Fear, thy throbs are base,
Trembling for the body's sake."--
Almost forty years from the first of these dates we find him bewailing
in "Terminus" his inherited weakness of organization.
And in writing to Carlyle, he says:--
"You are of the Anakirn and know nothing of the debility and
postponement of the blonde constitution."
Again, "I am the victim of miscellany--miscellany of designs, vast
debility and procrastination."
He thought too much of his bodily insufficiencies, which, it will be
observed, he refers to only in his private correspondence, and in that
semi-nudity of self-revelation which is the privilege of poetry. His
presence was fine and impressive, and his muscular strength was enough
to make him a rapid and enduring walker.
Emerson's voice had a great charm in conversation, as in the
lecture-room. It was never loud, never shrill, but singularly
penetrating. He was apt to hesitate in the course of a sentence, so as
to be sure of the exact word he wanted; picking his way through
his vocabulary, to get at the best expression of his thought, as a
well-dressed woman crosses the muddy pavement to reach the opposite
sidewalk. It was this natural slight and not unpleasant semicolon
pausing of the memory which grew upon him in his years of decline, until
it rendered conversation laborious and painful to him.
Public-domain text, read in full here on John Shaqi.
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