Rambles and Studies in GreeceMahaffy, J. P. (John Pentland)
History
Rambles and Studies in Greece
Mahaffy, J. P. (John Pentland)
Art, Greek; Greece -- Description and travel
There can be no doubt that the temple of Neptune on Mount Tænarum must
have been quite as fine as to position, but the earthquakes of Laconia
have made havoc of its treasures, while at Sunium, though some of the
drums in the shafts of the pillars have been actually displaced several
inches from their fellows above and below, so that the perfect fitting of
the old Athenians has come to look like the tottering work of a giant
child with marble bricks,—in spite of this, thirteen pillars remain,(72) a
piece of architrave, and a huge platform of solid blocks; above all, a
site not desecrated by modern habitations, where we can sit and think of
the great old days, and of the men who set up this noble monument at the
remotest corner of their land. The Greeks told us that this temple, that
at Ægina, and the Parthenon, are placed exactly at the angles of a great
equilateral triangle, with each side about twenty-five or thirty miles
long. Our maps do not verify this belief. The distance from Athens to
Sunium appears much longer than either of the other lines, nor do we find
in antiquity any hint that such a principle was attended to, or that any
peculiar virtue was attached to it.
We found the platform nearly complete, built with great square blocks of
poros-stone, and in some places very high, though in others scarcely
raised at all, according to the requirements of the ground. Over it the
temple was built, not with the huge blocks which we see at Corinth and in
the Parthenon, but still of perfectly white marble, and with that
beautifully close fitting, without mortar, rubble, or cement, which
characterizes the best and most perfect epoch of Greek architecture.(73)
The stone, too, is the finest white marble, and, being exposed to no dust
on its lofty site, has alone of all temples kept its original color—if,
indeed, it was originally white, and not enriched with divers colors. The
earthquake, which has displaced the stones in the middle of the pillars,
has tumbled over many large pieces, which can be seen from above scattered
all down the slope where they have rolled. But enough still remains for us
to see the plan, and imagine the effect of the whole structure. It is in
the usual simple, grand, Doric style, but lighter in proportions than the
older Attic temples; and, being meant for distant effect, was probably not
much decorated. Its very site gives it all the ornament any building could
possibly require.
Public-domain text, read in full here on John Shaqi.
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