Rambles and Studies in GreeceMahaffy, J. P. (John Pentland)
History
Rambles and Studies in Greece
Mahaffy, J. P. (John Pentland)
Art, Greek; Greece -- Description and travel
rose, the narcissus and the iris. These are balm for the pains of men.
Nay, that which is made of roses, if old wooden images are anointed with
it, saves them, too, from decay.” He little knew how eternally true his
words would be, for though the rose and the iris grow wild and neglected
and yield not now their perfume to soothe the ills of men, yet from
Chæronea comes the eternal balm of Plutarch’s wisdom, to sustain the
oppressed, to strengthen the patriot, to purify with nobler pity and
terror the dross of human meanness. Nay, even the crumbling images of his
gods arrest their decay by the spirit of his morals, and revive their
beauty in the sweetness of his simple faith.
There is a rich supply of water, bursting from a beautiful old Greek
fountain, near the theatre—indeed, the water supply all over this country
is excellent. There is also an old marble throne in the church, about
which they have many legends, but no history. The costume of the girls,
whom we saw working in small irrigated plots near the houses, was
beautiful beyond that in other Greek towns. They wore splendid necklaces
of gold and silver coins, which lay like corselets of chain mail on the
neck and breast; and the dull but rich embroidery of wool on their aprons
and bodices was quite beyond what we could describe, but not beyond our
highest appreciation.
As the day was waning, we were obliged to leave this most interesting
place, and set off again on our ride home to Lebadea. We had not gone a
mile from the town when we came upon the most pathetic and striking of all
the remains in that country—the famous lion of Chæronea, which the Thebans
set up to their countrymen who had fallen in the great battle against
Philip of Macedon, in the year 338 B. C. We had been looking out for this
monument, and on our way to Chæronea, seeing a lofty mound in the plain,
rode up to it eagerly, hoping to find the lion. But we were disappointed,
and were told that the history of this larger mound was completely
unknown. It evidently commemorates some battle, and is a mound over the
dead, but whether those slain by Sylla, or those with Tolmides, or those
of some far older conflict, no man can say. It seems, however, perfectly
undisturbed, and grown about with deep weeds and brushwood, so that a
hardy excavator might find it worth opening, and, perhaps, coins might
tell us of its age.
Public-domain text, read in full here on John Shaqi.
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