Rambles and Studies in GreeceMahaffy, J. P. (John Pentland)
History
Rambles and Studies in Greece
Mahaffy, J. P. (John Pentland)
Art, Greek; Greece -- Description and travel
We were taken to see the little museum of the town—then a very small one,
with a single inscription, and eight or ten pieces of sculpture. But the
inscription, which is published, is exceedingly clear and legible, and the
fragments of sculpture are all both peculiar and excellent. There is a
female head of great beauty, about half life-size, and from the best, or
certainly a very good, period of Greek art, which has the curious
peculiarity of one eye being larger than the other. It is not merely the
eyeball, but the whole setting of the eye, which is slightly enlarged, nor
does it injure the general effect. The gentlemen who showed this head to
me, and who were all very enthusiastic about it, had indeed not noticed
this feature, but recognized it at once when pointed out to them. Beside
this trunkless head is a headless trunk of equal beauty—a female figure
without arms, and draped with exquisite grace, in a manner closely
resembling the famous Venus of Melos. The figure has one foot slightly
raised, and set upon a duck, as is quite plain from the general form of
the bird, though the webbed feet are much worn away, and the head gone. M.
Émile Burnouf told me that this attribute of a duck would determine it to
be either Athene or Artemis. If so, the general style of the figure, which
is very young and slight, speaks in favor of its being an Artemis. I trust
photographs of this excellent statue may soon be made, and that it may
become known to art students in Europe.
We also noticed a relief larger than life, on a square block of white
marble, of the head of Medusa. The face is calm and expressionless,
exactly the reverse of Lionardo da Vinci’s matchless painting, but archaic
in character, and of good and clear workmanship. The head-dress, which has
been finished only on the right side, is very peculiar, and consists of
large scales starting from the forehead, and separating into two plaits,
which become serpents’ bodies, and descend in curves as low as the chin,
then turning upward and outward again, till they end in well-formed
serpents’ heads. The left serpent is carved out perfectly in relief, but
not covered with scales.
I was unable to obtain any trustworthy account of the finding of these
marbles, but they were all fresh discoveries, especially the Medusa head,
which had been only lately brought to the museum, when we were first at
Argos. Future visitors will find this valuable collection much increased;
and here in this important town it is advisable that there should be a
local museum.
Public-domain text, read in full here on John Shaqi.
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