Rambles and Studies in GreeceMahaffy, J. P. (John Pentland)
History
Rambles and Studies in Greece
Mahaffy, J. P. (John Pentland)
Art, Greek; Greece -- Description and travel
Our way led us up a river course, as usual through fine olive-trees and
fields of corn, studded with scarlet anemones, till after a mile or two we
began to ascend from the level of the coast to the altitudes of the
central plateau, or rather mountain system, of the Morea. Here the flora
of the coast gave way to fields of sperge, hyacinths, irises, and star of
Bethlehem. Every inch of ascent gave us a more splendid and extended view
back over coasts and islands. The giant tops of the inner country showed
themselves still covered with snow. We were in that district so little
known in ancient history, which was so long a bone of contention between
Argos and Sparta, whose boundaries seem never to have been fixed by any
national landmark. When we had reached the top of the rim of inland Alps,
we ascended and descended various steeps, and rounded many glens, reaching
in the end the village of Hagios Petros, which we had seen before us for a
long time, while we descended one precipice and mounted another to attain
our goal. It was amusing to see our _agogiatæ_ or muleteers pulling out
fragments of mirror, and arranging their toilette, such as it was, before
encountering the criticism of the Hagiopetrans. One of these men was
indeed a handsome soldierly youth, who walked all day with us for a week
over the roughest country, in miserable shoes, and yet without apparent
fatigue.
Another, a great stout man with a beard, excused himself for not being
married by saying he was _too little_ (_εἶναι μικρός_), and so we learned
that as they are all expected to marry, and do marry, twenty-five is
considered the earliest proper age. One would almost think they had
preserved some echo of Aristotle’s views, which make thirty years the best
age for marriage—thirty years! when most of us are already so old as to
have lost interest in these great pleasures.
Public-domain text, read in full here on John Shaqi.
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