Rambles and Studies in GreeceMahaffy, J. P. (John Pentland)
History
Rambles and Studies in Greece
Mahaffy, J. P. (John Pentland)
Art, Greek; Greece -- Description and travel
All the ground under the dense olive-trees was covered with standing corn,
for here, as in Southern Italy, the shade of trees seems no hindrance to
the ripening of the ear. But there was here thicker wood than in Italian
corn-fields; on the other hand, there was not that rich festooning of
vines which spread from tree to tree, and which give a Neapolitan summer
landscape so peculiar a charm. A few homesteads there were along the
roads, and even at one of the bridges a children’s school, full of those
beautiful fair children whose heads remind one so strongly of the old
Greek statues. But all the houses were walled in, and many of them seemed
solitary and deserted. The memories of rapine and violence were still
there. I was told, indeed, that no country in Europe was so secure, and I
confess I found it so myself in my wanderings; but when we see how every
disturbance or war on the frontier revives again the rumor of brigandage,
I could not help feeling that the desert state of the land, and the
general sense of insecurity, however irrational in the intervals of peace,
was not surprising.
There is no other excursion in the immediate vicinity of Athens of any
like beauty or interest. The older buildings in the Peiræus are completely
gone. No trace of the docks or the _deigma_ remains; and the splendid
walls, built as Thucydides tells us with cut stone, without mortar or mud,
and fastened with clamps of iron fixed with lead—this splendid structure
has been almost completely destroyed. We can find, indeed, elsewhere in
Attica—at Phyle—still better at Eleutheræ—specimens of this sort of
building, but at the Peiræus there are only foundations remaining. Yet it
is not really true that the great wall surrounding the Peiræus has totally
disappeared. Even at the mouth of the harbor single stones may be seen
lying along the rocky edge of the water, of which the size and the square
cutting prove the use for which they were originally intended. But if the
visitor to the Peiræus will take the trouble to cross the hill, and walk
round the harbor of Munychia, he will find on the eastern point of the
headland a neat little café, with comfortable seats, and with a beautiful
view. The sea coast all round this headland shows the bed of the
surrounding sea wall, hewn in the live rock. The actual structure is
preserved in patches on the western point of this harbor, where the coast
is very steep; but in the place to which I refer, we can trace the whole
course of the wall a few feet above the water, cut out in the solid rock.
I know no scanty specimen of Athenian work which gives a greater idea of
the enormous wealth and energy of the city. The port of Munychia had its
own theatre and temples, and it was here that Pausanias saw the altar to
_the gods called the unknown_. The traces of the sea wall cease as soon as
it reaches the actual narrow mouth of the little harbor. I do not know how
far toward Phalerum it can be traced, but when visiting the harbor called
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account