Rambles in an Old City: comprising antiquarian, historical, biographical and political associationsMadders, Susan Swain
History
Rambles in an Old City: comprising antiquarian, historical, biographical and political associations
Madders, Susan Swain
Norwich (England)
wardrobes, bear trace; crape, the celebrated Norwich crape, now almost a
forgotten fabric, was of later invention; but its fame is chronicled in
Ministerial mandates during Walpole’s administration, 1721, when court
mourning was ordered to consist of nothing but that pre-eminent material.
Long since, the paramatta cloth has superseded both bombazine and Norwich
crape; nor must we be unmindful that this superfine invention owes its
origin to the skill and ingenuity of a manufacturer of the same city.
Shawls of every variety have held a prominent place among the
manufactures; indeed, may be considered as nominally the staple produce
of the Norwich looms, though in reality such is not the fact, an infinite
variety of materials, bearing as many new and fashionable titles, being
in truth the result of the labour of its artisans, silk—satins, brocades,
alpaccas, barèges, and many more; and of late years the shoe manufactory
has so vastly increased, that it may fairly take a place henceforth among
the constituents of the “fame” of the capital of Norfolk. It may not be
out of place here also to give some little sketch of the rise and
progress of that most important of all inventions and arts, printing, in
these particular parts,—more especially as William Caxton, the first
English printer, was one of the agents, and a principal one, in opening
the commerce between this country and Flanders in 1464, when that port
was appointed a staple for English goods as well as Calais, a measure
fraught with immense advantages to the manufacturing districts of the
country, and of course pre-eminently to this city. When he, the mercer’s
apprentice, first stamped the “merchants’ mark” upon his master’s bales,
he little thought that by this same process of stamping, carried forward
by the ingenuity of many men into a new art, the whole aspect of the
world’s history would be changed. The origin of these distinctive
“marks,” still to be seen engraved on brasses, painted in church windows,
and here and there carved on the doors and panels of old houses, is about
as obscure as most of the other customs of those ages. They were
undoubtedly used to distinguish the property of one merchant from
another; and if their owners gave money towards the building or
restoration of churches, their marks were placed in the windows, in
honour of their liberality. Similar marks are to this day used by some
of the merchants of Oporto and Lisbon, stamped upon their pipes of wine.
Their forms seemed to depend on fancy, but a certain geometrical
precision pervaded all; sometimes they were composed of a circle with a
cross, or a shield with crosses laid over each other, of angles of every
possible direction grouped into a figure, now and then the figure of a
bird or animal added, but each differing essentially from every other,
that it may retain its distinctive characteristics. Printing, however,
though introduced into this country by Caxton, was for some centuries
Public-domain text, read in full here on John Shaqi.
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