Rambles in an Old City: comprising antiquarian, historical, biographical and political associationsMadders, Susan Swain
History
Rambles in an Old City: comprising antiquarian, historical, biographical and political associations
Madders, Susan Swain
Norwich (England)
It was after one of his collating rambles that he finally determined to
issue proposals for printing his work; and meeting with much
encouragement, he speedily looked about for a suitable printing
establishment. In a letter to Mr. Chase, a printer who lived next door
to “John o’ all sorts,” Cockey Lane, Norwich, on the 1st of July, 1733,
he says, “I have endeavoured to procure a set of Saxon types, but cannot
do it; and upon looking over my book find a good number of Greek
inscriptions, some Hebrew words, and some Gothic. So that I must print
it in London; it being impossible to have those types any where in the
country (!). I wish heartily I could have done it with you; for I like
your terms, and could have been glad to have corrected the press myself,
which I then could easily have done.”
Eventually he decided upon printing the work upon his own premises, and
engaged a good workman, at a salary of £40 a year, bought a press for £7,
and fitted up a printing office with all the requisite materials. The
account in the papers of the “Archæological Society,” goes on to say, “At
that time, distance and difficulties of intercourse made any want of
punctuality most annoying, and the plan of printing at home involved the
necessity of a great variety of type and other materials. Meanwhile type
founders, stationers, and engravers, were but too much given to weary him
with delay, or to disgust him with fraud. Beginning a correspondence
with frankness and civility, he often had to continue it, urging and
reiterating entreaties of attention—alternately coaxing compliance with
‘half a piece’ to drink his health and success to his work, or with
‘promise of making amends,’ or a ‘fowl at Christmas,’ or rebuking with
reluctant severity, resulting more from devotedness to his object, than
anger or bitterness. A facetious engraver, who was introduced to him,
and invited to his house to assist him, after remaining there three
weeks, agreed for a large portion of the work, and cut several of the
things, all which he ran away with. Other vexations sprang out of the
patronage and assistance he most valued; but, after many interruptions,
the first edition of a part of the book was brought out in 1736.”
In the midst of his labours, however, he was cut off by that virulent
enemy, the small pox, on the 15th January, 1751, at the age of forty-six.
His work was continued by the Rev. Charles Parkens, of whom a curious
anecdote is related;—its accuracy we do not pretend to vouch; the tale
runs that Mr. Parkens had a tame magpie, which had access to her master’s
study, and seeing him busily employed in folding and unfolding the
packets that lay before him on his desk, she thought it no harm to be
busy too, until from time to time she flew away _with the __whole borough
of Yarmouth_. Many of the parcels, it is added, were recovered, but
others irrecoverably lost.
“I know not how the truth may be,
But tell the tale as ’twas told to me.”
Public-domain text, read in full here on John Shaqi.
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