Dickens, Charles, 1812-1870 -- Homes and haunts -- England -- London; Literary landmarks -- England -- London
The Drawing-Room here mentioned is situated above the old Monastery Gate,
between the two towers which stand on either side. We may recollect it
was here that David, having received an invitation to a private ball
given at the Larkins’s, enjoyed his first dance with “his dear divinity;”
afterwards being introduced to _Mr. Chestle_, a hop-grower from the
neighbourhood of Ashford, “a friend of the family,” and—alas for
David!—the future husband of the eldest Miss Larkins—
“I waltz with the eldest Miss Larkins! I don’t know where, among
whom, or how long. I only know that I swim about in space with a
blue angel, in a state of blissful delirium. . . . I am lost in the
recollection of this delicious interview, and the waltz, when she
comes to me again, with a plain, elderly gentleman, who has been
playing whist all night, upon her arm, and says, ‘Oh, here is my bold
friend! Mr. Chestle wants to know you, Mr. Copperfield.’ I feel at
once that he is a friend of the family, and am much gratified. . . .
I think I am in a happy dream. I waltz again with the eldest Miss
Larkins. She says I waltz so well! I go home in a state of
unspeakable bliss, and waltz in imagination, all night long, with my
arm round the blue waist of my dear divinity.”
Proceeding westward, we pass along the opposite roadway which faces the
house above referred to, by Church Street St. Paul, and Burgate Street,
to the Old Cathedral entrance.
As the Rambler returns, again traversing Mercery Lane, there may be noted
on the left—No. 14—a respectable Butcher’s Shop, now in the keeping of
Mr. Cornes. It is evident from its position, near Christ Church Gate,
that this was the establishment where flourished, in days of yore, that
obnoxious “young butcher” who was “the terror of the youth of
Canterbury,” and the especial enemy of the pupils at King’s School. In
chapter 18—“A Retrospect”—Copperfield writes as follows:—
“There is a vague belief abroad that the beef suet with which he
anoints his hair gives him unnatural strength, and that he is a match
for a man. He is a broad-faced, bull-necked young butcher, with
rough red cheeks, an ill-conditioned mind, and an injurious tongue.
His main use of this tongue is to disparage Dr. Strong’s young
gentlemen. He says publicly that if they want anything he’ll give it
’em. He names individuals among them (myself included) whom he could
undertake to settle with one hand, and the other tied behind him. He
waylays the smaller boys to punch their unprotected heads, and calls
challenges after me in the open streets. For these sufficient
reasons I resolve to fight the butcher.
Public-domain text, read in full here on John Shaqi.
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