Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
"A fir tree of prodigious size was used in the vessel which, by the
command of Caligula, brought the obelisk from Egypt, which stands in
the Vatican Circus, and four blocks of the same sort of stone to
support it. Nothing certainly ever appeared on the sea more
astonishing than this vessel; 120,000 bushels of lentils served for
its ballast; the length of it nearly equalled all the left side of the
port of Ostia--for it was sent there by the Emperor Claudius. The
thickness of the tree was as much as four men could embrace with their
arms."
Suetonius ("Claudius," xx.) says: "He sank the vessel in which the
great obelisk had been brought from Egypt, to secure the foundation of
the mole at Ostia."
Pliny (xvi. 76), says: "As to the one in which, by order of the
Emperor Caius, the other obelisk had been transported to Rome, it was
brought to Ostia, by order of the late Emperor Claudius, and sunk for
the construction of his harbour."
Marcellinus says: "Subsequent ages to Augustus brought also other
obelisks, one of which is in the Vatican."
VESTIBULE.
Over the entrance _outside_ is a relief of Christ giving the keys to
Peter; _inside_ the vestibule is Giotto's (1298) celebrated mosaic,
representing our Lord sustaining Peter when he was about to sink
whilst walking on the sea. Opposite are the great bronze doors, opened
only on special occasions, the work of Antonio Filareto and Simone
Donatello in the fifteenth century. The upper panels represent in
relief our Saviour and the Virgin, below whom are SS. Peter and Paul;
Peter is giving the keys to Pope Eugenius IV. Beneath are the
martyrdoms of Peter and Paul: in the former is represented the
pyramidal tomb which stood in the Borgo Nuovo, and which was destroyed
by Alexander VI. The smaller reliefs represent scenes from the life of
the Emperor Sigismund--his coronation, the council of Florence, and
his entry into Rome. The framework represents satyrs, nymphs, fauns,
Leda and the Swan, Ganymede, the Fox and the Stork, with reliefs of
fruit and flowers, and medallions of Roman emperors. The walled-up
side door, on the right, is the Porta Santa, which was formerly opened
on Christmas-eve of the years of jubilee--every twenty-fifth year.
_The first_ inscription relates the gift of olive-yards to provide oil
for the lamps given by Gregory II.
_The second_, the Bull of Boniface VIII., of the indulgence granted at
jubilee.
_The third_, Panegyric of Charlemagne on Pope Adrian I.
INTERIOR.
Five portals give access to the edifice, which faces east.
"Enter, its grandeur overwhelms thee not."--BYRON.
Public-domain text, read in full here on John Shaqi.
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