Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
In the centre of the apse is S. Peter's chair. January 18th is the
feast of the chair of S. Peter in Rome. Some remarks on the chair
which does duty for S. Peter's may be of interest to our readers. A
photograph of this famous object was taken in 1867, when it was last
exposed to view, and can be had at any of the shops in Rome. Visitors
must be content with looking at the photograph, for the chair itself
is not to be seen. At present it is enclosed in the bronze covering
which is supported by the four colossal figures of the doctors of the
Church--SS. Gregory, Jerome, Ambrose, and Augustin.
It is encased in a framework, in which are the rings through which the
poles were inserted in order to carry the person seated. This casing,
consisting of four posts and sides, is made of oak, and is very much
decayed. The straight vertical joints are easily distinguished where
the frame is attached to the chair itself, which is composed of dark
acacia wood. The front panel is ornamented with three rows of square
plates of ivory, six in a row, eighteen in all, upon twelve of which
are engraved the labours of Hercules, and on the other six,
constellations, with thin _laminæ_ of gold let into the engraved
lines. Some of the ivories are put on upside down, and had evidently
nothing to do with the original chair: they are Byzantine in style, of
the eleventh century. The ivory band decorations of the back and sides
evidently belonged to the chair, and correspond with its architecture
and fit into the woodwork. They are sculptured in relief,
representing combats of men, wild beasts, and centaurs. The centre
point of the horizontal bars has a portrait of Charlemagne crowned as
emperor. In his right hand is a sceptre (broken), and in his left a
globe; two angels on either side offer him crowns and palms, they
having combatants on each side. The chair is 4 feet 8¾ inches high at
back, 2 feet 10½ inches wide, 2 feet 2⅓ inches deep, and 2 feet 1½
inch high in front. Fancy Peter using such a chair as this!
It is asserted by the Roman Church that this chair was used by S.
Peter as his episcopal throne during his rule over the Church at Rome.
Even if we grant, for argument's sake, that he was bishop in Rome,
there is no evidence to prove that this was his chair; in fact, every
evidence to the contrary. All the primitive episcopal chairs are of
marble, and as unlike this one in construction as possible; for it is
not an episcopal throne, but a _sella gestatoria_ or cathedra, similar
to the chairs introduced into Rome in the time of the Emperor
Claudius, mentioned by Suetonius ("Nero," xxvi.), and Juvenal (i. 64,
vi. 90). It is not unlike in shape the one used to carry the Pope in
grand ceremonies in S. Peter's. Some early authors speak of a _sella
gestatoria_ which was placed in the baptistery of old S. Peter's by
Damasus, and which, formerly on the 22nd of February, was carried
hence to the high altar, where the Pope, with much ceremony, was
enthroned upon it.
Public-domain text, read in full here on John Shaqi.
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