Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
The cupola of the church is one of the finest in Rome; the four
evangelists, at the angles, are by Domenichino.
_From here we retrace our steps down the Via Chiavari, crossing the
Via Giubbonari, passing, on our left, the_ MONTE DI PIETA (Uncle to
Rome); _turn to left Via Pettinari; the first turning on the right
leads to the Piazza Capo di Ferri._ On the left, decorated with
statues, is the Spada Palace. In the vestibule of the law court,
upstairs, is
THE STATUE OF POMPEY,
at whose feet great Cæsar fell.
"There was a statue of Pompey, and it was a work which Pompey had
consecrated for an ornament to his theatre."
"Either by accident, or pushed hither by the conspirators, he expired
at the pedestal of Pompey's statue, and dyed it with his blood"
(Plutarch).
"Augustus removed the statue of Pompey from the senate house, in which
Julius Cæsar had been killed, and placed it under a marble arch,
fronting the curia attached to Pompey's theatre" (Suetonius, "Aug."
xxxi.).
The statue is eleven feet high, and was found in 1553 in the Vicolo di
Lentari; it was under two houses, and the proprietors could not agree
as to whom it should belong, when Pope Julius II. gave them five
hundred gold dollars for it, and presented it to Cardinal Capodifero.
In 1798-99 the French carried this statue to the Colosseum, where they
performed Voltaire's "Tragedy of Brutus" to the original statue. To
facilitate moving it, they cut off the extended arm; hence the join.
THE SPADA PALACE GALLERY.
_Open every Tuesday, Thursday, and Saturday; fee, half lira each to
Museum and Gallery._
_N.B._--The vestibule where the statue of Pompey stands is public, and
is open all day. Resist the demands of the porter, who is generally
very rude.
The MUSEUM on the ground-floor contains a good seated statue of
Aristotle, and nine reliefs formerly used, reversed, as the pavement
of S. Agnese outside the walls. 1. Paris on Mount Ida; 2. Bellerophon
watering Pegasus; 3. Amphion and Zethus; 4. Ulysses and Diomedes
robbing the Temple of Minerva; 5. Paris and Œnone; 6. Perseus and
Andromeda; 7. Adonis; 8. Adrastus and Hypsipyla finding the body of
Archemorus; 9. Pasiphæ and Dædalus.
The GALLERY upstairs contains few good pictures. Catalogues in each
room.
FIRST ROOM.--32. Lanfranco's Cain and Abel; 45. Guercino's David.
SECOND ROOM.--9. Guido's Judith; 19. Poussin's Joseph and Brethren;
17. Leonardo da Vinci's Dispute with the Doctors; 32. S. John; 33. S.
Lucia, by Guercino.
THIRD ROOM.--20. Rape of Helen, by Guido; 33. Vandyck; 48. Death of
Dido, by Guercino.
COURT ROOM.--Frescoes by Luzio Romano.
_In coming out of the Palace, turn to the right, keep straight on down
the_ VIA S. PAOLA ALLA REGOLA. Some little way down is the church of
that name, on the right, said to have been built on the site where S.
Paul had a school. _Just beyond_, on the right, is the Via degli
Strengari; the house on the left, No. 2, is pointed out by Jewish
tradition as
THE HIRED HOUSE OF S. PAUL.
Public-domain text, read in full here on John Shaqi.
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