Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
The island in the Tiber is an alluvial formation, and thus far the
legend is correct in ascribing its origin to the accumulation of
rubbish and drifted sand. In remembrance of the vessel which bore the
statue of Æsculapius from Epidaurus to Rome, the entire island was
faced with stone, and made to assume the form of a ship, in which was
placed the temple of the god.
Some of the immense blocks of travertine composing the facing, and
representing the hull of the ship, may still be seen in the monastery
garden of the Church of S. Bartolomeo in Isola. _Ladies are not
admitted to the monastery._
"In the island of the Tiber, just prior to the death of Otho, the
statue of Julius Cæsar turned from west to east, a circumstance said
likewise to have happened when Vespasian took on him the empire"
(Plutarch).
In the Piazza is a monument to SS. John, Francis, Bartholomew, and
Paulinus. The interior of the church is embellished with fourteen
ancient columns, and in the choir are the remains of an early mosaic.
The island on the farther side is connected with the mainland by
THE PONS CESTIUS,
now called Ponte S. Bartolomeo. It was erected, B.C. 45, by the Prætor
Lucius Cestius; the inscription records its restoration, A.D. 367, by
the Emperors Valentinian, Valens, and Gratian. It consists of a single
arch. Over the bridge is TRASTEVERE, the inhabitants of which claim to
be descended from the ancient Romans: their manners and customs are
somewhat distinct from those of the inhabitants of the other side of
the river.
_From the bridge_ (_retracing our steps_) _a street leads into the
Piazza Montanara; turn to the right up the Via Montanara; on the right
is the_ CHURCH OF S. NICOLO IN CARCERE, built over three temples.
_Entrance to see the substructions through the sacristy._
THE TEMPLES OF JUNO SOSPITA, PIETY, AND HOPE.
Three temples of the time of the republic, situated in one front, and
forming a group. Not only many columns, but also considerable remains
of the substructions have been preserved. The latter have been
rendered accessible by the recent excavations.
The largest of these temples, Piety, situated in the middle, is of
Ionic architecture. It is surrounded by a corridor, and is probably
the same erected to Piety by the son of M. Acilius Glabrio ten years
after the event, in fulfilment of a vow made by his father at the
battle of Thermopylæ, A.U.C. 562, erected 572 (Livy, xl. 34). The
_left hand_ temple is that of Juno Sospita (to keep in health),
founded by Cethægus, B.C. 195 (Livy, xxxii. 30, xxxiv. 53). The Temple
of Hope is _on the right_. It was erected by Atilius Calatinus during
the first Punic War, B.C. 248 (Livy xxi. 62, xxv. 7).
Public-domain text, read in full here on John Shaqi.
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