Passing into the _nave_, in the right-hand corner, is a fresco of our Saviour releasing Adam from Limbo. On the left wall, looking towards the modern altar (erected beneath the one in the church above, under which are placed the remains of S. Ignatius and S. Clement. Behind this a door leads to a space, recently excavated, where a portion of the first church, once covered with marble slabs, may be seen), Installation of S. Clement by S. Peter; Clement performing Mass; the Miracle of Sisinius; and Men drawing a Column--all on one pier. THE LORD BE WITH YOU THE PEACE OF THE LORD BE EVER WITH YOU. --I, BENO DE RAPIZA, WITH MARY, MY WIFE, FOR THE LOVE OF GOD AND BLESSED CLEMENT, HAD IT PAINTED FOR A FAVOUR RECEIVED. CARVONCELLE. ALBERTEL. COSMARIS. SISINIUS. GET BEHIND THE ALBERTEL, FOR THE HARDNESS COLUMN CARVONCELLE COSMARIS, OF YOUR HEARTS SONS OF WITH A DRAW IT UP. YOU DESERVE TO _Pute_ DRAW LEVER. DRAW STONES. IT UP. On the inside of this pier are S. Antoninus, and Daniel in the Lions' Den. On the same wall, higher up, Life, Death, and Recognition of S. Alexius; above which is our Lord seated, attended by Gabriel, Michael, Clement, and Nicholas, holding a book. STRONG AS THE BONDS OF DEATH. THAT IS MY RESIDENCE IN IT; COME UNTO ME, ALL YE THAT LABOUR YOU SHALL FIND AN ASYLUM. AND ARE HEAVY LADEN, AND I WILL GIVE YOU REST. THE FATHER DOES NOT RECOGNIZE WHO ASKS HIS PITY. The arabesque ornament at the bottom is very beautiful. Beyond this, at the side of the pier, are S. Giles and S. Blasius; at the end of the wall, S. Prosperius, the Maries at the Sepulchre, Christ releasing Adam and Eve from Hades, the Supper at Cana, the Crucifixion; and just beyond, the Assumption (eighth century). MOST HOLY SANCTUS VITUS LORD LEO, POPE OF ROME. THAT THIS PICTURE MAY OUTSHINE THE REST IN BEAUTY, BEHOLD THE PRIEST LEO STUDIED TO COMPOSE IT. Passing into the _south or left aisle_, on the wall, at this end, is a painting representing the Miracle of S. Libertinus, and one representing WHERE THE ABBOT BEGS PARDON OF LIBERTINUS. At the west end of this aisle, over the stairs, are the remains of a painting of the Crucifixion of S. Peter; and in the right-hand corner, S. Cyril's parting audience with Michael III. In the opposite corner is a baptism of some barbarian by S. Cyril, beyond which the projecting brickwork marks the site of the tomb of S. Cyril.