Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
The present church was formed out of the great hall of the Baths of
Novatus after A.D. 108; the baths being erected in the time of
Domitian adjoining the house of Pudens, who founded in his house a
Christian oratory before A.D. 96. This oratory exists below the
present church, which was formed by Bishop Pius, who died in A.D. 157.
The church below is the oldest Christian church in the world, and
existed in the time of S. Paul, who, writing to the Romans (xvi. 13),
says, "Salute Rufus chosen in the Lord, and his mother and mine." This
Rufus was Aulus Rufus Pudens, who held an official position in the
southern province of Britain, and married Gladys (Claudia), the
daughter of Caractacus, the British chief. He was likewise
half-brother of S. Paul, and the friend of Martial the poet. The
apostle, writing to Timothy from Rome (2 Tim. iv. 21), says, "Eubulus
greeteth thee, and Pudens, and Linus, and Claudia, and all the
brethren." Linus was the second son of Caractacus, and was the first
bishop of the Church of Rome ordained by Paul.
From Cyllinus, the eldest son of Caractacus, descended Constantine the
Great, born and bred, and proclaimed emperor, in Britain. Thus the
first Bishop of Rome and the first Christian emperor were undoubtedly
Britons of royal British blood.
In the tribune of the church is a beautiful mosaic of the time of
Adrian I., A.D. 772-795, who built the apse inside the wall of the
large hall. The old wall can be seen on the outside, the mosaic
representing our Saviour on a throne, with four of the apostles on
each side, and Pudentia and Praxedes behind; the paintings above are
by Pomarancio. In the left aisle is a well, containing, it is said,
remains of the martyrs--some remains are shown. At the end of this
aisle is the chapel of S. Peter; the mosaic pavement belonged to the
baths. On the left is a copy of the inscription from the catacomb of
S. Priscilla: "BENE MERENTI CORNELIÆ PUDENZIANÆ." Under the altar is a
sponge said to have been used by the two sisters to collect the blood
of the martyrs. Above is a relief, by Giacomo della Porta, of Peter
receiving the keys from Christ. On the left of this aisle opens the
Chapel of the Gaetani--rich in marbles. The roof is in mosaic,
representing the four Evangelists, and over the door are
representations of the sisters Pudentia and Praxedes collecting the
blood of martyrs. They are by Rossetto, designed by F. Zuccari (1600).
The altar-piece, by Paolo Olivieri, is the Adoration of the Magi. _For
a more detailed account of this interesting church, see our_
"Footsteps of S. Paul in Rome."
Retracing our way down the Via Urbana, we come to where the Via di S.
Lucia in Selci goes off at an angle to the left. Here was
THE SCENE OF TULLIA'S IMPIETY.
Public-domain text, read in full here on John Shaqi.
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