Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
The Arch of Triumph over the altar is of the same period. Those on the
vault of the tribune are of the thirteenth century. On the loggia,
over the front entrance, is another very fine mosaic picture of the
fourteenth century. _On the left of the high altar is the_
BORGHESE CHAPEL.
The altar-piece is of jasper; the painting of the Virgin and Child is
said to be by S. Luke. Above is the bronze bas-relief representing the
miracle of the snow which fell in August A.D. 352 upon the exact space
occupied by the basilica. The frescoes are by Guido, Lanfranco,
Arpino, and Cigoli.
The monuments of Paul V. and Clement VIII. are composed of beautiful
bas-reliefs representing scenes in their lives.
_Opposite is the_
SIXTINE CHAPEL,
erected by, and containing the tomb of, Sixtus V. It was lately
restored by Pius IX., who was to have had his temporary resting-place
here, behind the altar. The altar is a representation of the tomb of
our Saviour at Jerusalem, and is a splendid piece of workmanship.
Beneath it is preserved part of the manger. Opposite the lower altar
is a statue of S. Gaetano, by Bernini. The frescoes of the dome,
representing the hosts of heaven, are beautifully executed by Podesti.
The monument to Sixtus V. is by Valsoldo; that to Paul V. by L. de
Sarzana. The bas-reliefs represent historical subjects of the two
pontificates.
_Leaving the church by the end opposite to that by which we entered_,
we find ourselves in the piazza, which contains a handsome column,
taken from the Basilica of Constantine by Paul V. It is surmounted by
a figure in bronze representing the Virgin. The column is forty-seven
feet high, without the base and capital. _On the left of the church is
the_
COLUMN OF HENRY IV.
In 1873 the column of an inverted cannon, which stood in front of the
Church of S. Antonio Abate, erected in 1596 to commemorate the
reconciliation of Henry IV. of France to Clement VIII., was removed in
altering the level of the road. At the time of its removal, a majolica
vase was discovered under the base, which on being lately opened was
found to contain a large brass medal, bearing the following
inscription:--
IN HONOREM PASSIONIS D. N. JESU CHRISTI ET B. V. MARIÆ AC
S. ANTOINI ET OMNIUM SANCTORUM, REVERENDUS DOMINUS.
Carolus Anison Galeus, preceptor generalis preceptoriæ ejusdem S.
Antoini prope Albam, terram Petragoricensis Dioceseos et Vicarius in
Prioratu S. Antoini de urbe suis propriis expensis posuit. Sedente
Smo domino nostro Clemente VIII. Pont. Opt. Max. anno domini
MDXCVI.
The column has now been re-erected, but not inverted, on the east side
of S. Maria Maggiore, and the vase and its coin re-interred beneath
it.
It appears that Louis XIV. caused the original inscription on the base
of the column to be removed, and this has lately been found in the
convent of S. Antony, recording that the column was erected in memory
of the Christian absolution of Henry the Fourth of France and Navarre.
Public-domain text, read in full here on John Shaqi.
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