Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
wife of Lucius Cornelius Sylla, and daughter of Quintus Cæcilius
Metellus (Plutarch). The building consists of a circular tower,
seventy feet in diameter, resting on a quadrangular basement made
chiefly of lava and stone, cemented together by lime and pozzuolana,
and strengthened with key-stones of travertine. This ruin, so long
respected as a tomb, was converted into a fortress by Boniface VIII.,
and used as such by the Gaetani, his near relatives. It now belongs to
archæology. Learned men have made it one of their most sacred
resting-places, and it is a favourite resort of tourists and artists.
The inscription on the side facing the road runs as follows:
"Cæciliæ--Q. Cretici. F.--Metellæ. Crassi." _To the right_ there are
bas-reliefs, well preserved--one representing a trophy of victory,
another a slave or a prisoner; both were brought from a tomb about a
mile further on. The tower was built seventy-nine years before Christ.
The construction is very remarkable, on account of the enormous
thickness of the walls, which are of concrete faced with travertine
and lined with brick in the interior. The enormous massiveness of the
structure indicates a rude and semi-barbarous period. Plutarch speaks
of the extravagance of Sylla in funeral ceremonies. Cecilia Metella
had been previously married to the elder Scaurus (Pliny, xxxvi. 24;
xxxvii. 5). "Sylla dreamed, shortly before his death, that his son
Cornelius, who died before his wife, Cecilia Metella, appeared to him,
and summoned him away to join his mother" (Plutarch).
The inner chamber of the ruin is fifteen feet in diameter, and was at
one time supposed to contain great treasures both of art and coinage.
But the sarcophagus of white marble now in the court of the Farnese
Palace, and _believed_ to have been discovered in or near the Tomb of
Cecilia Metella, is the only treasure it has produced.
"What was this tower of strength? within its cave
What treasure lay so locked, so hid?--a woman's grave."
_Opposite are_ the ruins of a Gothic church,--
S. NICHOLAS OF BARI.
Built by the Gaetani. Considerable remains of this fortress exist,
showing the strength of the hold by means of which they levied "black
mail" on the passers-by.
[Illustration: TOMB OF CECILIA METELLA.]
From this point the Via Appia continues in a straight line to
Albano. Considerable remains of tombs exist on each side of the way,
connected with which are many anecdotes and tragedies. Along the Via
Appia a most magnificent prospect of the Campagna is enjoyed, with its
ruined tombs and aqueducts, and the Sabine and Alban Hills in the
distance.
TOMBS ON THE VIA APPIA.
From just beyond the tomb of Metella the Via Appia was lost till
excavated by Canina, under Pius IX. (1850-53), when many of the tombs
were restored, as far as possible, with the fragments.
Public-domain text, read in full here on John Shaqi.
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