_Open on Tuesdays from 12 till 4. Permission to be obtained of the bankers_ Messrs. Spada and Co., 11 Via Condotti. The museum contains a fine collection of statues, busts, sarcophagi, &c. The grounds are splendid, and numerous antique statues are dispersed through them. _Catalogues can be obtained of the custodian._ GRAND PORTICO.--51. Augustus; 79. Agrippina; 61. Faustina (?); 72. Marcus Aurelius; 82. Hadrian. VESTIBULE.--19. Caryatid, by Criton and Nicholaus of Athens. LEFT GALLERY.--48. Alexander; 45. Scipio; 40. Hannibal; 46. Brutus (?); 110. Faun. RIGHT GALLERY.--93. Juno; 106. Faun and Bacchus; 120. Son of Augustus; 118. Seneca; 112. Numa; 143. Livia sacrificing. Vase, with the labours of Hercules, found at his temple on the Via Appia. 222. Relief--the Nile. _Staircase from Vestibule._--891. Rome Triumphant; 885. Relief--the Death of the Children of Niobe; 893. Antoninus Pius Distributing Corn (?); 894. Orphan Children of Faustina (?). (See page 44.) UPPER FLOOR, FIRST ROOM.--905. Apollo; 906. An Athlete; 915. Cupid. NOBLE GALLERY.--Reliefs; 1008. Hercules and the Hesperides; 1009. Dædalus and Icarus; 1010. A Sacrifice; 1013. Antonius holding a Horse; 1018. Marcus Aurelius, Antoninus, Faustina, and Rome; 1014. Venus, Diana, Apollo, and Victory sacrificing. LEFT ROOM.--1013. Relief--Antinoüs Crowned with the Lotus Flower, _very beautiful_. SECOND ROOM.--952. Apollo Sauroctonos, by Praxiteles. _Beyond the villa is the_ CATACOMB OF S. PRISCILLA. Priscilla _is said_ to be the Christian name of the mother of Pudens. Anastasius (xxxi. 31) says this cemetery was made by Bishop Marcellus, A.D. 307. There is a burial vault here said to be the tomb of the family of Pudens; it has some rude frescoes--a woman coming out of a house; an orante in act of prayer, called a Madonna; a woman between two men, twice over. Other frescoes, in different chambers, are the Three Jews in the Fiery Furnace; Good Shepherd; four orantes and doves; seven men carrying a barrel, whilst two others lie on the ground. Scratched on the wall is ORATIUS D. NOBILIBUS ANTONIUS BOSIUS; and underneath was a marble slab--BONAVIÆ CONJUGI SANCTISSIMAE; a Good Shepherd; a female figure seated, with a child in her lap, looking towards a male figure with hands extended, called the Virgin and Isaiah (query, Joseph)--between them is a star. This is the earliest painting of the Virgin known. _Leaving the catacomb, the hill on the left, beyond, was the site of_ ANTEMNÆ,