Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
Under the Empire the Rostra had lost its use, and only served
occasionally for the emperor to address the people from, or for
reading out edicts and proclamations. The western end of the Forum saw
many changes after the fire under Commodus, and was rearranged under
Septimius Severus, who restored the old edifices, retaining the names
of the founders, and erected others (Spartianus, "Severus," xxiii.).
In 203 an arch was erected to Severus and his two sons, and a new
Rostra was made on the south side of this arch. By cutting away a
piece of the slope of the Capitoline Hill, he formed an escarpment 11
feet high, which was faced with a curved brick wall, and cased with
Porta Santa marble, in panels 3 feet 1 inch wide. Between each pair of
panels there is a space 6½ inches wide, from which a piece of marble
jutted out 3½ inches. Only one of these exists. On it there was fixed
a bronze beak, probably made in imitation of the old ones, for in that
day they had no naval foes from whom to capture ships. If there was
one row only, there were eighteen in all; if two rows, thirty-six.
This in itself is sufficient to show the ridiculousness of calling
this the original Rostra, which had six beaks only. The peculiar
marble casing also shows late work. At the north end of this platform
was erected the Umbilicus (E), and on the south end was placed the
Milliarium Aureum (F). From the level space on the top of this
escarpment the orator would speak; whilst at a short distance in his
rear was the street Clivus Argentarius, leading from the Via Sacra to
the Porta Rutuminia. This Rostra was popularly known as the People's
Rostra, because from it they were addressed--"Deinde ad Rostra Populum
convocarunt" (Capitolinus, "Maximus et Balbinus," iii.). The
narrowness of the level space on the top of this Rostra caused great
inconvenience; and as room could not be gained in the rear, it had to
be taken in front, encroaching on the Comitium. Forty-three and a half
feet in front of the curved wall of Porta Santa a straight wall was
built of travertine and tufa, 78 feet long, with side walls from it
back to the extreme ends of the Rostra, and this was cased with
Carrara white marble, the space between the two walls being filled
with earth, thus making a large platform with a square instead of a
curved front. The blocks of tufa and marble were tied together by iron
clamps, of which fragments remain, of a shape not used in the earlier
days, but used now. [Illustration] That the curved wall and the
straight wall are not contemporary is shown by the construction, as
well as by the fact that the curved wall is faced with coloured
marble, which would not have been the case if it had not at one time
been open to the Forum. The curved wall is on a line with the Arch of
Severus; but the tufa wall comes out 25½ feet beyond the arch, and is
not parallel with the curved wall behind it. The tufa and travertine
wall is erected on the travertine pavement of the Comitium.
Public-domain text, read in full here on John Shaqi.
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