Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the CampagnaForbes, S. Russell
History
Rambles in Rome: An Archæological and Historical Guide to the Museums, Galleries, Villas, Churches, and Antiquities of Rome and the Campagna
Forbes, S. Russell
Art -- Rome; Rome (Italy) -- Guidebooks; Rome -- Antiquities
At the east end of the Atrium is the fountain, beyond which is a step
up on to a tesselated pavement, and from that four steps lead into the
tabularium, or reception-room, having on each side three chambers, in
which most probably the Vestals deposited those objects intrusted to
their sacred keeping.
On each side of the Atrium were the residential chambers of the High
Vestals, the simple Virgins, and their domestics, two stories high.
Those on the south side are best preserved.
From the tesselated pavement a door gives access into a corridor, once
paved with white and black mosaic; at the end, on the left, is a
bath-chamber; and opening out from the corridor are several chambers
showing traces of marble pavements, frescoed and marble-cased walls.
In the second chamber are the remains of the mill for grinding the
salt used in sacrifice. (See Virgil, "Buc." viii. 82; Horace, "O."
iii. 23; Festus.) Pliny (xxxi. 41) says, "It is in our sacred rites
more particularly that the high importance of salt is to be
recognized, no offering ever being made unaccompanied by crushed
salt."
This corridor does not run the whole length of the Atrium, but turns
off to a flight of stairs leading to the upper chambers. The remainder
of the chambers on this side were reached direct from the Atrium by
steps. The first one contains a hexagonal pedestal to Flavia Publicia.
From the marble and fresco decorations found here, these rooms were
most probably the apartment of the High Vestal Virgin.
[Illustration]
The inscriptions to the High Vestals found, date between 180 and 364
A.D., and were erected in return for some advantage derived from the
patronage of the High Vestal. Historically they are of no great
importance, giving us only names of Vestals that were already known.
The most important inscriptions are those found here which do not
refer to the Virgins. Commencing with the first pedestal at the top of
the entry steps, they read as follows:--
Flavia Publicia. Erected July 9, 283 A.D.
Concordiæ. Dedicated June 9, 364. She was the last High Vestal, and
her name was erased because she became a Christian.
Cœlia Claudiana. 253-7 A.D.
Caracalla pedestal. July 2, 114 A.D.
Prætextata Crassi. 180-200 A.D.
Flavia Publicia. 257-284.
Numisia Maximilla. 201-216.
Statue of an unknown Vestal; no head.
Flavia Publicia. 257-84.
Another pedestal to her, with statue adjoining.
Pedestal to Trentia Flavola. About 350.
Blank pedestal, with statue of Ceres adjoining.
Pedestal to Flavia Publicia. September 30, 257.
Statue of Vettius Agorius Prætextatus. 380.
Fragment of a seated statue.
Statue unknown.
Statue and pedestal to Flavia Publicia.
Public-domain text, read in full here on John Shaqi.
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