Rambles in Yucatan; or, Notes of Travel Through the Peninsula: Including a Visit to the Remarkable Ruins of Chi-Chen, Kabah, Zayi, and Uxmal. 2nd edNorman, Benjamin Moore
History
Rambles in Yucatan; or, Notes of Travel Through the Peninsula: Including a Visit to the Remarkable Ruins of Chi-Chen, Kabah, Zayi, and Uxmal. 2nd ed
Besides those we have attempted to describe, there are other ruins of
which some remains of walls are standing; and contiguous thereto lie
immense piles of worked stone, which, though presenting no new feature
in the architecture of these buildings, yet serve to give a more
adequate idea of the size and grandeur of this great city. In my walks
in the vicinity, extending miles in every direction, I have seen broken
walls and mounds, fragments of columns, and carved and sculptured stone,
some of which were of as extraordinary dimensions as any that I have
noticed, deeply imbedded in the soil, and wholly disconnected with any
other structure; though they were, without doubt, the remains of
splendid and extensive edifices.
The following general characteristics of all these ruins may not be
thought impertinent to my subject, by those who have had the curiosity
to follow me thus far in the details:—
They are situated upon a plain of many miles in circumference, nearly in
the centre of the province; upwards of one hundred miles from the sea,
and away from all water communication. They have no apparent order, or
laying-out of streets, as the plan shows; but that they bear evidence of
a people highly skilled in the mechanical arts, as also in a portion of
the sciences, must be conclusive to my readers.
The buildings which are now in the most perfect state of preservation,
are the temple, castle, pyramid, and other erections, upon a succession
of terraces composed of _rubble_, imbedded in mortar, held together by
finished walls of fine concrete limestone: the sides of which are
invariably located with reference to the four cardinal points, and the
principal fronts facing the east.
The walls of the buildings rise perpendicularly, generally, to one-half
the height, where there are entablatures; above which, to the cornice,
the façades are laid off in compartments, which are elaborately
ornamented with stone sculpture-work over a diamond lattice ground,
illustrated with hieroglyphic figures of various kinds; the whole
interspersed with chaste and unique borders, executed with the greatest
possible skill and precision. The stones are cut in _parallelopipeds_ of
about twelve inches in length and six in breadth; the interstices filled
up of the same material of which the terraces are composed.
The height of these buildings generally is twenty, and rarely above
twenty-five feet. They are limited to one story, long and narrow,
without windows. The rooms are confined to a double range, receiving no
other light than what passes through the doorway. The ceilings are built
in the form of an acute-angled arch by layers of flat stones, the edges
being bevelled and carried up to the apex, upon which rests a stone that
serves as a key.
Public-domain text, read in full here on John Shaqi.
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