Canadian fiction -- 20th century; Detective and mystery stories
If he heard irony he did not betray it. "Well ... that's all I wanted
to say. That I was sorry you were annoyed ... Will you shake hands on
it?"
"Surely!" said Pen. She offered her hand with a mental reservation:
"If you're deceiving me as I suspect, this doesn't count!"
She thought he would never have done fondling her hand. She ground her
teeth and endured it.
"Well ... good-night," he said at last.
"Good-night," said Pen.
When he had taken two steps he stopped. "I said all his men," he said
with a sly note creeping into his voice. "Watch and make sure."
Pen waited in the doorway. Riever stepping off the porch, spoke to
Delehanty. Delehanty put a hand to his lips and blew a shrill whistle.
Out of various shrubby corners of the grounds figures emerged and
approached their chief. Like a scene in a melodrama Pen thought with
curling lip. There were six of them. That was the number she had seen
enter the grounds.
"Good-night," said Riever in a purring voice.
"Good-night, Miss," fawned Delehanty.
"Good-night, Miss," said Keesing, taking his tone from his betters.
"Good-night," said Pen clearly.
They all moved off in a body towards the gates.
Pen smiling scornfully, turned back up-stairs. "What sort of an
imbecile do they take me for? ... Presently they'll come sneaking
back... Expect me to lead them to him, do they?" Suddenly the quality
of her smile changed. "Well why not do it? ... It's the best idea I've
had yet..." She went into her room in a study.
The big house was laid out on the simplest of plans. As you entered
the front door the two drawing-rooms were on the left of the central
hall, and an immense dining-room on the right, with a pantry behind it
as big as the living-room in many a cottage. In the rear extension
were the kitchen and various offices. The second floor was divided
into four great chambers of equal size and a smaller room over the
entrance where Pen kept her sewing-machine. Her father slept in the
room over the dining-room. It had a door into the room behind it,
which was his study, work-shop and general receptacle. Pen had the
other front room and it also communicated with the room behind it,
which was called the guest chamber. The door between the two rooms was
always supposed to be locked.
The second floor of the rear extension was on a lower level. That is
to say you started down the big stairway and reached the rear rooms
from the turn. The extension contained the famous bathroom long out of
repair, various cupboards and store-rooms, and the two servants' rooms
which looked to the rear. In the main block of the house there was a
third story with four more big bedrooms, and above that again was the
"cupalow."
Public-domain text, read in full here on John Shaqi.
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