When Paul Preval, the French artist who came to London by royal command
to paint a portrait of the Prince of Wales, was made an honorary
member--only foreigners may be honorary members--he said, as he signed
his first wine-card, “I would rather see my name on that than on a
picture in the Louvre.”
At which Quiller remarked, “That is a devil of a compliment, because the
only men who can read their names in the Louvre to-day have been dead
fifty years.”
On the night after the great fog of 1897 there were five members in
the Club, four of them busy with supper and one reading in front of the
fireplace. There is only one room to the Club, and one long table. At
the far end of the room the fire of the grill glows red, and, when
the fat falls, blazes into flame, and at the other there is a broad
bow-window of diamond panes, which looks down upon the street. The four
men at the table were strangers to each other, but as they picked at
the grilled bones, and sipped their Scotch and soda, they conversed
with such charming animation that a visitor to the Club, which does
not tolerate visitors, would have counted them as friends of long
acquaintance, certainly not as Englishmen who had met for the first
time, and without the form of an introduction. But it is the etiquette
and tradition of the Grill that whoever enters it must speak with
whomever he finds there. It is to enforce this rule that there is but
one long table, and whether there are twenty men at it or two, the
waiters, supporting the rule, will place them side by side.
For this reason the four strangers at supper were seated together, with
the candles grouped about them, and the long length of the table cutting
a white path through the outer gloom.
Public-domain text, read in full here on John Shaqi.
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