“That's his only enemy,” he said. “Write! Heavens, how that man can write, and he'd almost rather do anything else. There isn't a paper in New York that wasn't glad to get him, but they couldn't keep him a week. It was no use talking to him. Talk! I've talked to him until three o'clock in the morning. Why, it was I made him send his first Chinatown story to the International Magazine, and they took it like a flash and wrote him for more, but he blew in the check they sent him and didn't even answer their letter. He said after he'd had the fun of writing a story, he didn't care whether it was published in a Sunday paper or in white vellum, or never published at all. And so long as he knew he wrote it, he didn't care whether anyone else knew it or not. Why, when that English reviewer--what's his name--that friend of Kipling's--passed through New York, he said to a lot of us at the Press Club, 'You've got a young man here on Park Row--an opium-eater, I should say, by the look of him, who if he would work and leave whiskey alone, would make us all sweat.' That's just what he said, and he's the best in England!” “Charlie's a genius,” growled the baseball reporter, defiantly. “I say, he's a genius.” The Boston man shook his head. “My boy,” he began, sententiously, “genius is nothing more than hard work, and a man--” Norris slapped the table with his hand. “Oh, no, it's not,” he jeered, fiercely, “and don't you go off believing it is, neither. I've worked. I've worked twelve hours a day. Keating even has worked eighteen hours a day--all his life--but we never wrote 'The Passing of the Highbinders,' nor the 'Ships that Never Came Home,' nor 'Tales of the Tenderloin,' and we never will. I'm a better news-gatherer than Charlie, I can collect facts and I can put them together well enough, too, so that if a man starts to read my story he'll probably follow it to the bottom of the column, and he may turn over the page, too. But I can't say the things, because I can't see the things that Charlie sees. Why, one night we sent him out on a big railroad-story. It was a beat, we'd got it by accident, and we had it all to ourselves, but Charlie came across a blind beggar on Broadway with a dead dog. The dog had been run over, and the blind beggar couldn't find his way home without him, and was sitting on the curb-stone, weeping over the mongrel. Well, when Charlie came back to the office he said he couldn't find out anything about that railroad deal, but that he'd write them a dog-story. Of course, they were raging crazy, but he sat down just as though it was no concern of his, and, sure enough, he wrote the dog-story. And the next day over five hundred people stopped in at the office on their way downtown and left dimes and dollars to buy that man a new dog. Now, hard work won't do that.”