Raphael; Or, Pages of the Book of Life at TwentyLamartine, Alphonse de
General
Raphael; Or, Pages of the Book of Life at Twenty
Lamartine, Alphonse de
Platonic love -- Fiction
The old man surveyed me with that anxious attention which is often
concealed under an appearance of momentary abstraction. But as he saw
me more, and questioned me, I could see his searching look clear up,
betray an inward satisfaction, soften gradually into one of confidence
and good-will, and rest upon me with that security and caress of the
eye, which though a mute is perhaps the best reception at a first
interview. My ardent desire to please him; the timidity so natural to a
young man, who feels that the fate of his heart depends on the judgment
passed upon him; the fear that it might not be favorable; the presence
of Julie, which disconcerted though it encouraged me; and all the
shades of thought so plainly legible in my modest attitude and my
flushed cheeks,--spoke in my favor better than I could have done
myself. The old man took my hand with a paternal gesture, and said,
"Compose yourself; and consider that you have two friends in this
house, instead of one. Julie could not have better chosen a brother,
and I would not choose another son." He embraced me, and we talked
together as if he had known me from my childhood, until an old servant
came at ten o'clock, according to his invariable custom, to give him
the help of his arm on the stair, and lead him back to his own
apartment.
LXXIII.
His was a beautiful and attractive old age, to which nothing was
wanting but the security of a morrow. It was so disinterested and
parental, that it in no wise offended the eye, though associated with a
young and lovely woman. It was as an evening shade upon the bloom of
morning; but one felt that it was a protecting shade, sheltering but
not withering her youth, beauty, and innocence. The features of this
celebrated man were regular as the pure outline of antique profiles
which time emaciates slightly, but cannot impair. His blue eyes had
that softened but penetrating expression of worn-out sight, as if they
looked through a slight haze. There was an arch expression of implied
meaning in his mouth; and his smile was playful as that of a father to
his little children. His hair, which age and study had thinned, was
soft and fine, like the down of a swan. His hands were white and taper
as the marble hands of the statue of Seneca taking his dying leave of
Paulina. There were no wrinkles on his face, which had become thin and
pale from the long labor of the mind, for it had never been plump. A
few blue and bloodless veins might be traced on the depressed temples;
the light of the fire was reflected on the forehead,--that latest
beauty of man, which thought chisels and polishes unceasingly. There
was in the cheek that delicacy of skin,--that transparency of a face
which has grown old within the shade of walls, and which neither wind
nor sun have ever tanned; the complexion of woman, which gives an
effeminacy to the countenance of old men, and the ethereal, fragile,
and impalpable appearance of a vision, that the slightest breath might
dispel.
Public-domain text, read in full here on John Shaqi.
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