Jewish scholars -- France -- Troyes -- Biography; Rabbis -- France -- Troyes -- Biography; Rashi, 1040-1105
<I>Quae secutae sunt magis defieri quam narrari possunt.</I> In
the works of the second half of the twelfth century this fault
becomes more and more perceptible, and signs of decadence begin
to appear. Moreover, the writings at this time were very
numerous, fostering, and, in turn, stimulated by, anti-Christian
polemics. The greater number of the Tossafists study the Bible
in conjunction with the Talmud. Citations are made of
explanations or Biblical commentaries by Jacob of Orleans, Moses
of Pontoise, Isaac the Elder, Isaac the Younger, Judah Sir Leon,
Jehiel of Meaux, and Moses of Coucy. All these rabbis wrote
Tossafot to the Bible as well as to the Talmud. This comparative
study of Bible and Talmud was continued for some time, untill
[until sic] at the beginning of the thirteenth century
intellectual activity was exhausted. Original works were
replaced by a large number of compilations, all related to one
another, since the authors copied without scruple and pillaged
without shame.
Chief among these works, which bear the general title of Tossafot
to the Torah and some of which have been printed, are
<I>Hazzekuni,</I> by Hezekiah ben Manoah (about 1240),
<I>Gan</I>[143] (Garden), by Aaron ben Joseph, (about 1250),
<I>Daat Zekenim</I> (Knowledge of the Ancients), in which many
exegetes are cited (after 1252), <I>Paaneah Razah</I> (Revealer
of the Mystery), by Isaac ben Judah ha-Levi (about 1300),
<I>Minhat Yehudah</I> (Offering of Judah), by Judah ben Eliezer
(or Eleazar), of Troyes (1313), <I>Hadar Zekenim</I> (Glory of
the Ancients; beginning of the fourteenth century), and <I>Imre
Noam</I> (Pleasant Words), by Jacob of Illescas (middle of the
fourteenth century).
All these works were more or less inspired by Rashi, and some,
such as <I>Hazzekuni,</I> might be called super-commentaries to
Rashi. But these disciples were not true to the spirit of the
master. They gave themselves up to the Haggadah more than he
did, and also to a thing unknown to him, Gematria and mystical
exegesis. Thus this French school, which for nearly a century had
shone with glowing brilliance, now threw out only feeble rays,
and abandoned itself more and more to the subtleties of the
Midrash, to the fancifulness of the Gematria. It almost
consigned to oblivion the great productions in rational exegesis,
always excepting Rashi's commentaries, the popularity of which
never waned, as much because of the author's renown as because of
his concessions to the Midrash.
Public-domain text, read in full here on John Shaqi.
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