At the time to which I allude, the inspired author wore a wig--not that his then age required one. Perhaps, the fervid state of his brain, like a hidden volcano, burnt up the herbage above--perhaps, his hair was falling off from the friction of his laurels--perhaps growing prematurely grey from the workings of his spirit; but without venturing upon any more conjectures, we may safely come to the conclusion, that the hair that God gave him did not please him so well as that which he bought of the perruquiers. Since we cannot be satisfied with the causes, we must be satisfied with the fact--he wore a wig; and, in the distraction of mental perplexity, when Monsieur Cherfeuil was essaying to get the poet out of the absent into the conditional mood, the man of verse, staring abstractedly upon the man of tense, would thrust his hand under his peruke, and rub, rub, rub his polished scalp, which all the while effused a divine ichor--(poets never perspire)--and, when he was gently reminded that his wig was a little awry towards the left side, he would pluck it, resentfully, equally as much awry on the right; and then, to punish the offending and displacing hand, he would commence gnawing off the nails of his fingers, rich with the moisture from above. We have recorded this little personal trait, because it may be valuable to the gentleman's future biographers; and also because it is a convincing proof to the illiterate and the leveller, that head-work is not such easy, sofa-enjoyed labour, as is commonly supposed; and, finally, that the great writer's habit, _vivos ungues rodere_, proves him to be, tooth and nail, _homo ad unguem factus_.