Architecture -- Italy -- Ravenna; Ravenna (Italy) -- History
Turning now to the Gospel side of the church, we find a similar
procession over the arcade, but of twenty-one virgin martyrs bearing
palms and crowns richly dressed with precious ornaments and jewels.
They bear the following names: SS. Pelagia, Agatha, Eulalia, Cecilia,
Lucia, Crispina, Valeria, Vincentia, Agnes with her lamb, Perpetua,
Felicitas, Justina, Anastasia, Daria, Paulina, Victoria, Anatolia,
Christina, Savona, Eugenia. They issue out of the towered gate of the
Castello of Classis, whose wall stretches before us to the great sea
gate through which we look upon the port with three ships on the
water, one of which is sailing in or out. Within the castello over the
wall of it we see buildings of a distinctly Roman type.
The procession of virgins which issues forth from this castello is led
by S Eufemia, who does not bear a palm, but carries her crown in her
two hands. Before her go the three Magi, Balthassar, Melchior, and
Caspar, bearing their gold, frankincense, and myrrh under the palms of
the long way, guided by the star to where Madonna sits enthroned with
her little Son between four angels.
Above between the windows, as on the Epistle side, are sixteen figures
in mosaic of the Prophets or Fathers; and over them again, as before,
are thirteen scenes from the life of Our Lord: (1) The Healing of the
cripple at Capernaum, (2) The Herd of Swine, (3) The Healing of the
paralytic who was let down in a bed to Jesus, (4) The Parable of the
sheep and the goats, (5) The Widow's mite, (6) The Pharisee and the
Publican, (7) The Raising of Lazarus, (8) The Woman of Samaria at the
well, (9) The Healing of the woman with an issue of blood, (10) The
Healing of the two blind men, (11) The Miraculous draught of fishes,
(12) The Miracle of the Loaves and Fishes, (13) The Water turned into
Wine.
Public-domain text, read in full here on John Shaqi.
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