American fiction -- 20th century; Short stories, American
We were shown into the sitting room of her suite, and sat down, both
breathing hard. I am fond of Flossie and I was very sorry for her,
but I certainly wished her at the other end of the world just then.
If I had not feared she would have rushed to lock me in, I would have
tried to escape even then, but before I could collect myself, the door
opened, and a stout, middle-aged woman came in. Her straight gray hair
was bobbed and hanging in strings around a very red, glistening face.
It was terribly hot weather and she had, I suppose, just came in from
the long motor trip. She had a lighted cigarette in one hand. Her
cushiony shapeless feet were thrust into a pair of Japanese sandals.
She distinctly waddled as she walked. We supposed that she was Miss
Arling’s companion, and I said, because Flossie was too agitated to
speak, “We wished to speak to Miss Arling, please.”
“I am Miss Arling,” she said casually. “Won’t you sit down?” I don’t
know what I did, but I heard Flossie give a little squeak like a
terrified rabbit. So I hurried on, saying desperately the first thing
that came into my mind. “We heard you were coming ... in the newspapers
... we are old residents here ... a cliff, water, and pine trees.... I
know the view ... we thought perhaps we might show you where....”
She was surprised a little at my incoherence and Flossie’s strange
face, but she was evidently a much-experienced woman-of-the-world, whom
nothing could surprise very much. “Oh, that’s very kind,” she said
civilly, tossing her cigarette butt away and folding her strong hands
on her ample knees, “But I went that way on the road coming into town.
I remembered it perfectly I find. I used it as the background in a
portrait, some years ago.”
She saw no reason for expanding the topic and now stopped speaking.
I could think of nothing more to say. There was a profound silence.
Our hostess evidently took us for tongue-tied, small-town people who
do not know how to get themselves out of a room, and went on making
conversation for us with a vague, fluent, absent-minded kindness.
“It’s very pleasant to be here again. I stayed here once, you know,
a few weeks, many years ago, when I was young. We had quite a jolly
time, I remember. There was a boy here ... a slim, dark, tall fellow,
with the most perfect early-Renaissance head imaginable, quite like the
Jeune Homme Inconnu. I’ve been trying all day to remember his name?
Paul?... no. Walter?... it had two syllables it seems to me. Well, at
any rate, he had two great beauties, the pale, flat white of his skin,
and his great shaggy mass of dark hair. I’ve often used his hair in
drawings, since. But I don’t suppose he looks like that now.”
Flossie spoke. She spoke with the effect of a revolver discharging a
bullet, “Oh, yes, he does! He looks exactly like that still, only more
mature, more interesting,” she said in an indignant tone.
Public-domain text, read in full here on John Shaqi.
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