Raymond; or, Life and Death: With examples of the evidence for survival of memory and affection after death.Lodge, Oliver, Sir
Religion
Raymond; or, Life and Death: With examples of the evidence for survival of memory and affection after death.
Lodge, Oliver, Sir
Future life; Lodge, Raymond, 1889-1915 (Spirit); Spiritualism; World War, 1914-1918 -- Personal narratives, British
Now that I know the answer I do not think the question was a
particularly good one; and the word 'telegram,' which they had not
expected and did not want, seems to me quite as good an incident as
the one which, without a clue, they had expected him to recall in
connexion with 'Argonauts.' Besides, I happened myself to know about
an Iceland trip in Mr. Alfred Holt's yacht 'Argo' and its poetic
description by Mr. Mitchell Banks and Dr. Caton in a book in the
drawing-room at Tent Lodge, Coniston (though the boys were not aware
of my knowledge), but it never struck me that this was the thing
wanted; and if it had come, the test would have been of inferior
quality.
Concerning the answer to 'Dartmoor,' his brothers said that COMING
DOWN HILL was correct but incomplete; and that they didn't remember
any FERRY. I therefore on another occasion, namely, on 22 October,
during a sitting with Feda (that is to say, not a table sitting, but
one in which Mrs. Leonard's control Feda was speaking and reporting
messages), said--still knowing nothing about the matter beyond what
I had obtained in the table sitting--"Raymond, do you remember about
'Dartmoor' and the hill?"
The answer is recorded as follows, together with the explanatory
note added soon afterwards--though the record is no doubt a little
abbreviated, as there was some dramatic representation by Feda of
sudden swerves and holding on:--
_From Sitting of O. J. L. and M. F. A. L. on_ 22 _October_ 1915.
_'Feda' speaking_
O. J. L.--Raymond, do you remember about Dartmoor and the hill?
Yes, he said something about that. He says it was
exciting. What is that he says? Brake--something about a
brake--putting the brake on. Then he says, sudden curve--a
curve--he gives Feda a jerk like going round a quick curve.
[I thought at the time that this was only padding, but
subsequently learnt from Alec that it was right. It was
on a very long night-journey on their motor, when the
silencer had broken down by bursting, at the bottom of
an exceptionally steep hill, and there was an unnerving
noise. The one who was driving went down other steep hills
at a great pace, with sudden applications of the brake and
sudden quick curves, so that those at the back felt it
dangerous, and ultimately had to stop him and insist on
going slower. Raymond was in front with the one who was
driving. The sensations of those at the back of the car
were strongly connected with the brake and with curves;
but they had mainly expected a reference from Raymond to
the noise from the broken silencer, which they ultimately
repaired during the same night with tools obtained at the
first town they stopped at.]
O. J. L.--Did he say anything about a ferry?
No, he doesn't remember that he did.
O. J. L.--Well, I got it down.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account